Upper & Lower SCA Studio & History / Theory Courses
Lower division Studio CA courses
CA 104: Music Fundamentals (3)
This course is designed to provide a basic understanding of the elements of music and teaches the skill of reading music notation. An introduction to music theory and exposure to the application of music materials in a wide spectrum of music literature will be accompanied by practical exercises. The course is designed for students with no formal music training. May be of particular interest to students in other departments. Students with credit for FPA 104 may not take this course for further credit.
CA 120: Introduction to Dance Forms: Contemporary and Popular (3)
A studio course devoted to the development of movement skills through specific styles of dance. The content of the course changes every term including techniques in Bhangra, Afro-Caribbian, Hip Hop and Contemporary. May repeat for credit. May be of particular interest to students in other departments.
CA 124: Improvisation Tools and Scores (3)
Movement improvisational skills will be explored in a variety of solo, duet, group forms through structured movement themes and scores. Emphasis will be on sensory awareness, elements of movement, and composition. Recommended: dance or theatre experience. Students with credit for FPA 124 may not take this course for further credit.
CA 129: Movement Fundamentals (3)
This studio/theory course incorporates techniques of body awareness, centering, and structural realignment. The emphasis is on body conditioning and body connectedness. This course will be of interest to dancers, actors, kinesiologists, and athletes. This is one of four courses required for entry into the dance major and extended minor program. Students with credit for FPA 129 may not take this course for further credit.
CA 143: Sound Fundamentals I (3)
A practical introduction to the foundations of sound and music from a variety of perspectives including but not limited to acoustics, psychoacoustics, western music harmony and ear training as well as the basics of sound synthesis and digital audio editing. Emphasis will be working towards a practical application in a creative/expressive context. Prerequisite: Acceptance into the major, or permission of instructor. Corequisite: CA 145 or permission of instructor.
CA 144: Sound Fundamentals II (3)
The continuation of CA 143. Prerequisite: CA 143. Corequisite: CA 146.
CA 145: Creative Sound Studio I (3)
An introduction to the methods of creative composition in diverse contexts. A hands-on sound and music-making experience through the exploration of digital audio workstations, composing for performance featuring objects and DIY instruments, approaches to music annotation/scoring/scripting, as well as exposure to new work and artists via in-depth analysis and discussion. Students will be required to attend a weekly area-wide seminar where the practice of composition will be discussed. As CA 145 is a limited capacity studio course, first seats are reserved for accepted Music and Sound Majors but additional seats are available. If you are not a Music and Sound Major, but wish to take this course with the intention of considering the Major, please contact the SCA Undergraduate Academic Advisor at sca_adv@sfu.ca. Corequisite: CA 143.
CA 146: Creative Sound Studio II (3)
The continuation of CA 145. Students will be required to attend a weekly area-wide seminar where the practice of composition will be discussed. Prerequisite: CA 145. Corequisite: CA 144.
CA 150: Introduction to Acting (3)
An approach to the elements of acting for non-theatre performance majors. Work will include development of individual powers of expression - vocal, physical, intellectual, imaginative, and emotional. Students with credit for FPA 150 may not take this course for further credit.
CA 160: Introductory Studio in Visual Art I (3)
A hands-on studio course modeled on the progressive development of artistic practice from simple mark-making to full scale installation. Through a process of continuous transformation, an original idea is developed in a sequence of methods, materials and scales. Some research is required. A course materials fee is required. Students with credit for FPA 160 may not take this course for further credit.
CA 161: Introductory Studio in Visual Art II (3)
A continuation of the work begun in CA (or FPA) 160, with emphasis on particular problems in the visual arts worked through a series of projects, culminating in the Campus Project, a site-specific public work designed, built and installed at the end of the term. Some research is required. A course materials fee is required. May be of particular interest to students in other departments. Prerequisite: CA (or FPA) 160. Students with credit for FPA 161 may not take this course for further credit.
CA 170: Introduction to Production Technology (3)
An introduction to the processes, tools and technology used in the production and presentation of the contemporary arts. Course requirements will include hands-on assignments in the production of theatre, dance, and music events. Students will work directly with equipment and materials, and are expected to be involved in work on productions and exhibitions outside of lecture and lab hours. Laboratory fee required. May be of particular interest to students in other areas and departments. Students with credit for FPA 170 may not take this course for further credit.
CA 171: Introduction to Stage and Production Management (3) | NOTE: no longer offered
An introduction to the management, and organization of the performing arts. This course will provide a grounding for students who wish to become further involved in the administration of the performing arts and may include practical experience outside of regular seminar hours. May be of particular interest to students in other areas and departments. Students with credit for FPA 171 may not take this course for further credit.
CA 174: Transforming Objects (3)
Explore how objects transform in relationship to body, space, and story. Techniques may include: mask-making, costume, puppetry, and toy theatre. Students will engage design concepts through iteration, rapid prototyping, and project scaling, as well as individual and collaborative materials based performances.
CA 229: Selected Topics in Dance I (3)
A specific topic in dance which is not otherwise covered in depth in regular courses. The work will be practical, theoretical, or a combination of the two, depending on the particular topic in a given term. May repeat for credit. Prerequisite: CA (or FPA) 220 or prior approval.
CA 232: Film Sound (3)
Through lectures, demonstrations and studio work, students will be introduced to several aspects of location sound recording and audio post production for film and video. Topics will include synchronization systems and techniques, editing, music scoring, mixing and both analog and digital sound technology. Prerequisite: CA (or FPA) 131. Students with credit for FPA 232 may not take this course for further credit.
CA 238W: Screenwriting I (3)
This course introduces the methodologies of writing for the screen in various styles, including dramatic, documentary and experimental forms, with an emphasis on structure and the creative expression of visual ideas. Students will perform a variety of writing assignments and each will be expected to complete one or more short original scripts. Prerequisite: One of CA (or FPA) 136, 137 or 253 and prior approval. Students with credit for CA (or FPA) 332 or 238 for credit may not take this course for further credit. Students with credit for FPA 238W may not take this course for further credit. Writing.
CA 243: Gamelan I (3)
Practical and theoretical study of music for gamelan ensemble, based on, but not limited to, traditional Javanese music. This course is designed as an introduction to the study of the music of non-Western cultures and as a method of developing ensemble musicianship. May be of particular interest to students in other departments. May be repeated once for credit. Prerequisite: Prior approval.
CA 247: Fixed Media Lab (3)
An introduction to the practice, techniques and concepts underlying contemporary electronic music fixed media composition, with an emphasis on facilitating a personal creative approach. Process-focused exercises will develop creative fluency in studio composition working with digital audio workstations, field recording, studio recording and editing techniques, digital audio processing, and sound synthesis. Exposure to new work and artists working in studio-related practices will serve as context and backdrop. Prerequisite: CA 140, 144, 146 or permission of instructor. Quantitative.
CA 249: Selected Topics in Music I (3)
A specific topic in music which is not otherwise covered in-depth in regular courses. The work may be practical, theoretical or a combination of the two, depending on the particular topic in a given term. May repeat for credit. Prerequisite: CA (or FPA) 140 and/or prior approval. Students with credit for FPA 249 may not take this course for further credit.
CA 253: Co-Lab (4)
Emphasizes compositional skills and the rigorous exploration of movement, text, and design. Co-Lab provides directors, performers, writers, sound artists, designers, filmmakers, and choreographers opportunities to devise, rehearse, and perform new public facing performances or events to audiences over the term. May repeat once for credit. Prerequisite: One of CA 123, 131, 146, 152, 161, 171.
CA 254: Body I (2)
Body I introduces 'the body' as a primary material of performance. With rotating topics, students develop the foundational skills for creating original, contemporary live art. Prerequisite: One of CA 123, 131, 146, 152, 161, 171.
CA 255: Body II (2)
Further explores 'the body' as a primary material of performance using a variety of perspectives on embodied practice as aesthetic experience. With rotating topics each term, students develop the foundational skills for creating original, contemporary live art. Prerequisite: One of CA 123, 131, 146, 152, 161, 171.
CA 256: Environments I (3)
The first of two courses focused on the experiential production of space, Environments I introduces students to contemporary practices, concepts and methods specific to creating site specific and responsive performance. Prerequisite: One of CA 123, 131, 146, 152, 161, 171.
CA 262: Methods and Concepts: Drawing-based Practices (3)
A studio course introducing drawing practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. Prerequisite: CA (or FPA) 160. A course materials fee is required. Students with credit for FPA 262 may not take this course for further credit.
CA 263: Methods and Concepts: Painting-based Practices (3)
A studio course introducing painting practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. Prerequisite: CA (or FPA) 160. A course materials fee is required. Students with credit for FPA 263 may not take this course for further credit.
CA 264 - Methods and Concepts: Sculptural Practices (3)
A studio course introducing sculptural practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. Prerequisite: CA (or FPA) 160. A course materials fee is required. Students with credit for FPA 264 may not take this course for further credit.
CA 265: Methods and Concepts: Photo-based Practices (3)
A studio course introducing photographic practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. Prerequisite: CA (or FPA) 160. A course materials fee is required. Students with credit for FPA 265 may not take this course for further credit.
CA 269: Methods and Concepts: Selected Topics (3)
A studio course introducing topics in art-making practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. May repeat for credit. Prerequisite: CA (or FPA) 160. A course materials fee is required.
CA 270: Production Ensemble I (6)
Students having a basic familiarity with elements of production and design participate in an in-depth theoretical and practical exploration of staging, audio and lighting for theatre, dance and music production. Assignments will be conducted in class and through practicum work on productions. May be of particular interest to students in other departments. Prerequisite: CA (or FPA) 170.
CA 271: Production Ensemble II (6)
Students having a basic familiarity with elements of production and design participate in an in-depth theoretical and practical exploration of stage and production management for theatre, dance and music production. Students in this class will develop skills necessary to provide technical support for the school's productions. Assignments will be conducted in class and through practicum work on productions. Maybe of particular interest to students in other departments. Prerequisite: CA (or FPA) 170. Quantitative.
CA 276: STT-Video Projection for Performance and Installation (3)
Introduction to various software and hardware for digital image making and content editing. Creation of multi-media installations and performances using video projection. Cultivation of skill-sets to identify and visualize student ideas, such as visual research and proposal packages. Prerequisite: CA 174, CA 170 or permission of instructor.
Upper division Studio CA courses
CA 309: Contemporary Arts Field School II (Studio) (4)
Students receive training in selected forms of dance, film, video, theatre, music, visual art and other forms of art production in the country being visited, with the opportunity of interacting with local people, artists and academics. This course can be repeated for credit. Prerequisite: A minimum of 30 units and permission of Field School Director.
CA 322: Intermediate Ballet I (3)
Explores the vocabulary and movement range of classical ballet technique at the intermediate level. Further attention will be given to the understanding of body placement, balance, flexibility and strength. Practical studio experience is offered within the context of specific theoretical principles. May repeat for credit. Prerequisite: Acceptance into the dance major or extended minor program, or prior approval.
CA 323: Intermediate Ballet II (3)
Continuation of CA (or FPA) 322, with an emphasis on expanding the vocabulary and movement range of classical ballet technique at the intermediate level. Further attention will be given to the understanding of body placement, balance, flexibility and strength. Practical studio experience is offered within the context of specific theoretical principles. May repeat for credit. Prerequisite: CA (or FPA) 322 or prior approval.
CA 324: Approaches to Composition (3)
Focused on learning different movement based compositional methods used to make new work. Students will apply new compositional ideas, expanding and setting material in space and working with different approaches of music, light and sound. Students will work with peers from production and design and other areas to create specific projects. Prerequisite: CA (or FPA) 124, 228W, and 285. Students with credit for FPA 324 may not take this course for further credit. Quantitative.
CA 325
CA 326: Repertory I (5)
One of two courses which provide advanced level dance students the opportunity to work as an ensemble rehearsing and preparing for a series of public performances. Choreography will be created and/or selected by a faculty director. This course can be repeated for credit. Prerequisite: Acceptance into the dance major or extended minor, and prior approval. Corequisite: Students must be concurrently enrolled in a technique course at an appropriate level. These courses include CA 220, CA 320, CA 322, CA 420, and CA 421.
CA 327: Repertory II (5)
One of two courses which provide advanced level dance students with the opportunity to work as an ensemble rehearsing and preparing for a series of public performances. Choreography will be created and/or selected by a faculty director. This course can be repeated for credit. Prerequisite: Acceptance into the dance major or extended minor and prior approval. Corequisite: Students must be concurrently enrolled in a technique course at an appropriate level. These courses include 220, 320, 322, 420, and 421.
CA 338W: Screenwriting II (3)
This course will present advanced theory and techniques for writing dramatic, experimental and documentary film and video scripts. Additional topics covered include script analysis, production breakdown, and the writing of treatments and proposals. Prerequisite: One of CA (or FPA) 238 or 353 or 457 and prior approval. Strongly recommended for all students developing projects for production in CA (or FPA) 430. Students with credit for FPA 338W may not take this course for further credit. Writing.
CA 339: Directing and Acting for Film and Video (3)
This course acquaints intermediate level students with techniques of dramatic film performance. Students will be expected to perform as both actors and directors on scene work in class. Topics covered include auditioning, script analysis, role preparation, rehearsal, blocking for the camera, and directing techniques. This course is not a duplicate of CA (or FPA) 339 Selected Topics in Film. Prerequisite: CA (or FPA) 231, or CA (or FPA) 251 with prior approval. Students with credit for FPA 339 may not take this course for further credit.
CA 340: Creative Ensemble Lab (3)
Studio-based performance ensemble. An immersion in practices of live performance, focusing upon listening, interaction, and creating music for small groups or the entire ensemble, both through collaboration and individually. Offerings will focus upon a single model per term; models include hybrid acoustic/electronic ensembles, laptop ensembles, improvisation ensembles. May be taken twice for credit. Prerequisite: Permission of instructor.
CA 343: Gamelan II (3)
Continuation of CA (or FPA) 243, with increased emphasis on the theoretical and ethnomusicological aspects of gamelan. May be taken twice for credit. Prerequisite: CA 243.
CA 347: Live Electronics Lab (3)
A detailed study of historic and current systems and techniques of live electroacoustic performance, and their applications for creative use. Students will create personal electroacoustic performance systems/stations, working towards a focus upon gestural and expressive performance in both solo, duo, and ensemble situations. May be taken twice for credit. Prerequisite: CA 247 or permission of instructor. Quantitative.
CA 354: Social I (2)
The first of two courses in the Social Studio stream. Students will be introduced to contemporary practices, methodologies and ethical considerations at play at the intersection of performance and social practice. Prerequisite: One of CA 221, 231, 246, 252, 261, 271, 285.
CA 355: Social II (3)
The second of two courses in the Social Studio stream. Building on CA 354, students will continue research and experiment with contemporary methodologies at the intersection of performance and social practice. Prerequisite: CA 354.
CA 356: Environments II (3)
The second of two courses focused on the experiential production of space, Environments II introduces students to contemporary practices, concepts and methods specific to creating site specific and responsive performance. Prerequisite: CA 256.
CA 362: Methods and Concepts: Drawing-based Practices (3)
Presents drawing practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. Additional assignments will be required for students taking the course at this level. Prerequisite: CA (or FPA) 160. A course materials fee is required. Students with credit for FPA 362 may not take this course for further credit.
CA 363: Methods and Concepts: Painting Practices (3)
Presents painting practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. Additional assignments will be required for students taking the course at this level. (studio). Prerequisite: CA (or FPA) 160. A course materials fee is required. Students with credit for FPA 363 may not take this course for further credit.
CA 364: Methods and Concepts: Sculptural Practices (3)
Presents sculptural practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. Additional assignments will be required for students taking the course at this level. Prerequisite: CA (or FPA) 160. A course materials fee is required. Students with credit for FPA 364 may not take this course for further credit.
CA 365: Methods and Concepts: Photo-based Practices (3)
Presents photo-based practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. Additional assignments will be required for students taking the course at this level. Prerequisite: CA (or FPA) 160. A course materials fee is required. Students with credit for FPA 365 may not take this course for further credit.
CA 369: Methods and Concepts: Selected Topics (3)
A studio course presenting topics in art-making practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. This course may be taken more than once for credit under a different topic. Prerequisite: CA (or FPA) 160. A course materials fee is required.
CA 370: Production Ensemble III (6)
Provides students with training and an historical and contemporary context for their related practicum roles as production heads and stage management and design personnel. Issues will be drawn from the School's current production season and from national and international forums in related fields. Assignments will be conducted in class and through practicum work on productions. May repeat for credit. Prerequisite: CA (or FPA) 270 and 271 or prior approval.
CA 371: Production Ensemble IV (6)
Provides students with training and an historical and contemporary context for their related practicum roles as production heads and stage management and design personnel. Issues will be drawn from the School's current production season and from national and international forums in related fields. Assignments will be conducted in class and through practicum work on productions. May repeat for credit. Prerequisite: CA (or FPA) 270 and 271 or prior approval.
CA 374: Stage Lighting (4)
Explores contemporary stage lighting for theatre, dance and opera. Participants will review the principles of theatrical lighting instruments and control systems and will experiment with the components of lighting design in a variety of studio projects. This course will require a practicum in an actual performance. Laboratory fee required. Prerequisite: CA (or FPA) 270 or prior approval. Students with credit for FPA 374 may not take this course for further credit.
CA 375: Stage Design (4)
Explores the numerous complex processes and practices needed to create two and three dimensional designs for stage and performance. Students will engage in a series of creative projects, research, analysis and presentations to enable them to develop and realize their design solutions. Laboratory fee required. Prerequisite: CA (or FPA) 270 or prior approval. Students with credit for FPA 375 may not take this course for further credit.
CA 400: Directed Studies (Studio) (3)
An opportunity for advanced students to carry out an independent project which is planned and completed in close consultation with the supervisory instructor. Before enrolment, the student must submit a written proposal outlining the project in detail to the chosen supervisor for approval. Directed studies courses may not be used as a substitute for existing courses. May repeat for credit. Variable units: 1, 2, 3, 4, 5, 6, 7, 8, 9. Prerequisite: 60 units plus a minimum standing of completion of second year in any of the programs offered in the School for the Contemporary Arts, and prior approval.
CA 409: Contemporary Arts Field School IV (Studio) (4)
Students receive training in selected forms of dance, film, video, theatre, music, visual art and other forms of art production in the country being visited, with the opportunity of interacting with local people, artists and academics. Prerequisite: A minimum of 30 units and approval of Field School Director. Students with credit for FPA 409 may not take this course for further credit.
CA 421
CA 425: Intensive Studies in Performance: Senior Projects (4)
Senior students continue the movement based research initiated in CA 424. An extended final project will be developed, mentored by faculty and guest artists, culminating in a showing or presentation at the end of the semester. Students will have the option of working as a choreographer or performer, and or collaborating with students from other disciplines. Prerequisite: CA 324, 424.
CA 426: Dance/Movement Analysis (3)
An introduction into the theory and practice of movement analysis based on recognized theories of analysis. Experiential work may be included in the course and a dance or similar movement background is necessary. Prerequisite: CA (or FPA) 124 or 150 and 285. Students with credit for FPA 426 may not take this course for further credit.
CA 440: Soundbox II (3)
A collaborative creation-performance course in which students design and produce creative projects collectively in varied small/large group configurations. Forces involved can include any mix of instruments/objects/electronics designed toward collective live performance, sound sculpture/installation, or any other type of sound-based experience. May be co-taught across other SCA areas as an interdisciplinary model. Prerequisite: CA 240 or permission of instructor.
CA 443
CA 448: Solo Performer and Electronics Lab (3)
A practical introduction to composing for instrument and electronics. Students compose short works for an acoustic instrument combined with live signal processing, fixed media, and interactive systems. Analysis of existing works will be included. Prerequisite: CA 247. Students with credit for CA 349 Selected Topics in Music under the same title may not take this course for further credit.
Upper division History / Theory CA courses
CA 308: Contemporary Arts Field School I (Theory/History) (4)
A scholarly exploration of artistic traditions and practices in the country being visited, with special attention to cultural, theoretical, historical and political contexts. This course can be repeated for credit. Prerequisite: A minimum of 30 units and approval of Field School Director.
CA 312: Selected Topics in Contemporary Arts (3)
Investigates a selected thematic topic in art and performance studies such as: postcolonial theory and the arts; perception and embodiment; art activism and resistance; or urban art and culture. This course can be repeated twice for credit if the topic is different. Prerequisite: 45 units.
CA 312W: Selected Topics in Contemporary Arts (3)
Investigates a selected thematic topic in art and performance studies such as: postcolonial theory and the arts; perception and embodiment; art activism and resistance; or urban art and culture. This course can be repeated twice for credit if the topic is different. Prerequisite: 45 units. Writing.
CA 314: Readings in the History of Art, Performance and Cinema (3)
Investigates a selected topic in the history of art, performance and cinema. This course can be repeated twice for credit if the topic is different. Prerequisite: CA (or FPA) 117 (or 167), 186, and 210W (or 210).
CA 315: Sound Art: History and Concepts (4)
This lecture course investigates sound art as an interdisciplinary practice that draws its history and concepts from contemporary visual art, installation art, performance art, experimental music, and their various confluences. We will study historical precedents of experimental sound work as well as think critically and creatively about the themes and concerns that inform contemporary practices. Prerequisite: 45 units. Students with credit for CA 312 Special Topics in Art and Culture Studies under the title "Sound Art" may not take this course for further credit.
CA 316: Intermediate Selected Topics in Cinema Studies (4)
An intermediate course in critical studies in cinema addressing a variety of topics. This course can be repeated once for credit if the topic is different. Students with credit for CA (or FPA) 337 may take this course for further credit if the topic is different. Prerequisite: Nine units in CA (or FPA) courses including CA (or FPA) 136 or 137. (Previously CA 337)
CA 317 | Note 鈥� no longer offered
CA 318: Theory and Cinema (4) | Previously CA 335
This course is concerned with the systematic understanding of the general phenomenon called Cinema rather than with the properties or techniques of individual films. Various theoretical positions will be assessed and compared in terms of cinematic practice and its ideological functions. May be of particular interest to students in other departments. Prerequisite: Six units from among CA (or FPA) 136, 137, 216 (or 237), 236. Recommended: CA (or FPA) 210W (or 210). Students who have credit for CA (or FPA) 234 may not take this course for further credit. Students with credit for CA (or FPA) 335 may not take this course for further credit. (previously CA 335)
CA 319W: Critical Writing in the Arts (3)
Examines aspects of critical writing associated with the historical and contemporary arts and encourages students to participate as writers in the artistic and cultural debates of their day. Forms examined will include but not be limited to reviews, articles, descriptive synopses for exhibition and festival programs, curatorial essays, project proposals and artists' statements. Prerequisite: 60 units including at least six units in CA (or FPA) history/theory courses. Students with credit for CA (or FPA) 319 may not take this course for further credit. Students with credit for FPA 319W may not take this course for further credit. Writing.
CA 341: Music and Culture (3)
The relationship of music and culture, with emphasis on traditional and contemporary music in Asia, Africa, the Middle East, Latin America and the Caribbean, and Indigenous cultures of North America. Specific cultural areas may be selected for intensive study in any particular term. May be of particular interest to students in other departments. Prerequisite: 45 units.
CA 344: Thinking and Writing About Sound (3)
An in-depth investigation of selected social, political, philosophical, and theoretical issues associated with contemporary music and the sonic arts. Topics such as sound and technology, popular music and the mass media, or critical issues in non-western and Indigenous music might also be considered. This course can be repeated for credit. Prerequisite: CA 140 or permission of instructor.
CA 357W: Context II (3)
The second of two courses in the Context cluster. Work will include reading, writing and experiments in live performance creation. With a grounding in performance studies, this course offers a variety of frameworks and approaches to the histories and theories of the avant-garde. live art, and theatre. With a new topic each term, students develop skills for analyzing, researching, and writing about contemporary performance. Prerequisite: CA 257W. Writing/Breadth-Humanities. (Previously CA 357)
CA 366: Seminar in Visual Art I (3)
A seminar course to be taken by all students in CA 360. It deals with visual art topics of an historical, critical and theoretical nature that concern practicing artists in the contemporary context. Students will be required to present research papers. Each research subject will be studied in connection with the student's own artistic work. Prerequisite: CA (or FPA) 117 (or 167), 118 (or 168), 210W (or 210), 261 and status as an approved Visual Art Major. Corequisite: CA 360. Students with credit for FPA 366 may not take this course for further credit.
CA 367: Seminar in Visual Art II (3)
A seminar course to be taken by all students in CA 361. It deals with visual arts topics of an historical, critical and theoretical nature that concern practicing artists in the contemporary context. Students will be required to present research papers. Each research subject will be studied in connection with the student's own artistic work. Prerequisite: CA (or FPA) 366. Corequisite: CA 361. Students with credit for FPA 367 may not take this course for further credit.
CA 386: Film Music: An Overview of the Relationship between Music and Moving Pictures (3)
This course examines the role of music in the viewer's experience of moving pictures. Beginning with the early 1900s, the lectures will introduce important composers, directors, films, genres and historical periods. Specific films and other works will be analyzed. Prerequisite: 60 credit hours. Students who have taken this course previously as special topics may not take it again for further credit. Students with credit for FPA 386 may not take this course for further credit.
CA 401: Directed Studies (Theory/History) (3)
This course is intended to provide opportunity for advanced students to carry out an independent project which is planned and completed in close consultation with the supervisory instructor. Before enrolment, the student must submit a written proposal outlining the project in detail to the chosen supervisor for approval. Directed studies courses may not be used as a substitute for existing courses. May repeat for credit. Variable units: 1, 2, 3, 4, 5, 6, 7, 8, 9. Prerequisite: 60 units plus a minimum standing of completion of second year in any of the programs offered in the School for the Contemporary Arts, and prior approval.
CA 408: Contemporary Arts Field School III (Theory/History) (4)
A scholarly exploration of artistic traditions and practices in the country being visited, with special attention to cultural, theoretical, historical and political contexts. Prerequisite: A minimum of 30 units and approval of Field School Director. Students with credit for FPA 408 may not take this course for further credit.
CA 412W: Advanced Seminar in Art and Performance Studies (4)
Provides an in-depth investigation of a selected theoretical, historical or thematic topic in art and performance studies. This course requires independent research leading to a substantial paper, as well as directed reading preparation for seminars. Topics will vary from term to term. The course may be repeated four times for credit if the topic is different. May be of particular interest to students in other departments. Prerequisite: Eight upper division units; and one of CA (or FPA) 210W (or 210), 316 (or 337), 318 (or 335), or 357W. Writing. (Previously CA 412)
CA 414: Advanced Topic in the History of Art, Performance and Cinema (3)
An in-depth investigation of a selected topic in the history of art, performance and cinema. This course can be repeated four times for credit if the topic is different. Prerequisite: CA (or FPA) 117 (or 167), 186, 210W (or 210) and 45 units.
CA 416: Advanced Seminar in Cinema Studies (4)
Features intensive study and analysis of selected topics in film theory, history, criticism and aesthetics. Examples include: work of specific directors or periods; theories of narrativity; particular aspects of national cinemas, etc. This course can be repeated once for credit if the topic is different. Students with credit for CA (or FPA) 436 may take this course for further credit if the topic is different. Prerequisite: CA (or FPA) 316 (or 337) or CA (or FPA) 318 (or 335). (Previously CA 436)
CA 457: Context of Theatre III (4)
An analytical approach to a selected body of dramatic work and/or performances. Includes an intensive consideration of practical dramatic techniques such as story structure and dramaturgy. Prerequisite: Prior approval from the instructor. Students with credit for FPA 457 may not take this course for further credit.
Lower division History / Theory CA courses
CA 104: Music Fundamentals (3)
This course is designed to provide a basic understanding of the elements of music and teaches the skill of reading music notation. An introduction to music theory and exposure to the application of music materials in a wide spectrum of music literature will be accompanied by practical exercises. The course is designed for students with no formal music training. May be of particular interest to students in other departments. Students with credit for FPA 104 may not take this course for further credit.
CA 117: Modern Art History (3)
An introduction to the visual arts of the nineteenth century. Formal and thematic approaches to the arts will be introduced, with attention to the social, institutional, national, and international contexts of art. Students with credit for CA (or FPA) 167 may not take this course for further credit. Breadth-Humanities. (previously CA 167)
CA 118: Contemporary Art History (3)
A study of the visual arts from the twentieth century to the present, with attention to the artists, artworks, movements, and discourses that re-defined the functions and meanings of art. The debates of modernism, postmodernity, postcolonialism, feminism, and the avant-garde will be systematically explored. Students with credit for CA (or FPA) 168 may not take this course for further credit. Breadth-Humanities. (Previously CA 168)
CA 127: History of Dance: From the 20th Century to the Present (3)
Study of the development of modern dance and the reformation of the ballet from the beginning of the 20th century to the present. Emphasis will be placed on seminal dance artists and the impact their work has had upon the art form in western theatre dance. This course may be of particular interest to a range of students in departments across the University. Prerequisite: 12 units. Students with credit for CA (or FPA) 227 may not take this course for further credit. Breadth-Humanities/Social Sciences. (previously CA 227)
CA 135: Introduction to Cinema (3)
An introductory course designed to facilitate a fundamental understanding of film technique, style and form in order to develop the skills with which to analyze films of all genres. Through lectures and screenings it will provide an overview of the social, aesthetic and technical development of motion pictures, introducing tools for the formal analysis of the elements of cinema: cinematography and lighting, art direction, performance, editing, sound and the screenplay. The formal and historical elements of documentary, avant-garde and dramatic films will be addressed. The course will involve the screening and discussion of several complete feature films and shorts, as well as excerpts from others. Students with credit for FPA 135 may not take this course for further credit. Breadth-Humanities.
CA 136: The History and Aesthetics of Cinema I (3)
This course will examine the early development of cinema from 1890 until about 1945, with particular emphasis on the fundamental principles of film as an art form. May be of particular interest to students in other departments. Students with credit for FPA 136 may not take this course for further credit. Breadth-Humanities.
CA 137: The History and Aesthetics of Cinema II (3)
This course will examine selected developments in cinema from 1945 to the present, with attention to various styles of artistic expression in film. May be of particular interest to students in other departments. Students with credit for FPA 137 may not take this course for further credit. Breadth-Humanities.
CA 140: Contexts in Creative Music and Sound Practice (3)
Looks at the issues involved in being a creative musical artist in the 21st century. Topics include historical context, race and gender, the role and influence of politics, music and identity, appropriation, art music, functional music, and hybrid practices. May be of particular interest to students in other departments. Breadth-Humanities.
CA 142: Music Appreciation in the 21st Century (3)
21st Century Music Appreciation aims to develop a critical ear and advanced listening skills. The course will take a post-modern approach to appreciation in that it will present a diversity of music from many cultures, styles, and periods in an effort to discover similarities, differences, and defining characteristics. Students with credit for FPA 142 may not take this course for further credit. Breadth-Humanities.
CA 210W: Art and Visual Culture: Materials, Forms, Histories (3)
A course based on exemplary readings designed to introduce students to a wide range of theories and methods of visual analysis and historical interpretation of works of art. Prerequisite: 21 units including six in CA (or FPA) history/theory courses and CA (or FPA) 168 or CA 118. Students with credit for CA (or FPA 210) may not take this course for further credit. Writing.(previously CA 210)
CA 216: Selected Topics in Cinema Studies (3)
This course will cover a specific topic within the field of cinema studies not covered in depth in regularly scheduled courses. This course can be repeated once for credit if the topic is different. Prerequisite: CA (or FPA) 135, 136, 137, 186, 235, 236, 316 (or 337), 318 (or 335), 416 (or 436) or 30 units. Students with credit for CA (or FPA) 237 may not take this course for further credit. Breadth-Humanities. (previously CA 237)
CA 217: Introduction to Performance Studies (3)
Traces the interdisciplinary origins of performance studies and brings its concepts and methods to bear on dance, music, theatre, performance art, and media performance. Prerequisite: 45 units including one history/theory course within the School for the Contemporary Arts. Students with credit for CA (or FPA) 311 under this topic may not take this course for further credit. Students with credit for CA (or FPA) 317 may not take this course for further credit. Breadth-Humanities. (previously CA 317)
CA 228W: Dance Aesthetics (3)
An introduction to aesthetic theory as it applies to dance. Lectures will address, among other things, the nature of aesthetic experience, as well as issues pertaining to critical judgment, communication, taste, and high and low art. Students with credit for FPA 228W may not take this course for further credit. Writing.
CA 235: Experimental Film and Video (3)
A survey of the key works and ideas that have informed contemporary moving image art practice nationally and internationally. Beginning with antecedents in painting and photography, the course will move forward from the early European avant-garde to the lyrical and structural works of the seventies, the issue-based work of the eighties, and finally the gallery-based practices of the present day. Intended for all students with an interest in the moving image as an art form. Prerequisite: One of CA (or FPA) 117 (or 167), 118 (or 168), 135, 136 or 137 or 30 units. Students with credit for FPA 235 may not take this course for further credit.
CA 236: Cinema in Canada (3)
Examines the achievements of dramatic, documentary and experimental filmmaking in Canada from the earliest days until the present. Special attention will be paid to the cinemas of Quebec and western Canada, and to the cultural, political and theoretical traditions that have shaped contemporary cinema in Canada. May be of particular interest to students in other departments. Prerequisite: 3 units in film or cinema studies (CA (or FPA) 135, 136, 186, 235, 216 (or 237), 316 (or 337), 318 (or 335)) or 30 units. Students with credit for FPA 236 may not take this course for further credit. Breadth-Humanities.
CA 257W: Context I (3)
The first of two courses in the Context cluster. With a grounding in performance studies, this course explores histories and theories of the avant-garde, live art, and theatre. With a rotating topic each term, students develop the foundational skills for analyzing, researching, and writing about contemporary performance. Writing/Breadth-Humanities. (previously CA 257)