丁香园AV

Mohammadreza (Momo) Akrami

MFA GRADUATE STUDENT

Mohammadreza (Momo) Akrami (he/him) is an Iranian-Canadian dance and interdisciplinary artist whose work spans Toronto, Vancouver, Montreal, San Francisco, and Brussels. With a multifaceted background in mathematics, physics, and theater, Momo brings a unique perspective as a creator, dancer, and teacher. His diverse dance lineage encompasses Flying Low/Passing Through/Improvisation with David Zambrano, Butoh/Noguchi Taiso with Atsushi Takenouchi and Imre Thorman, and Grotowski/post-Grotowski theater. His physical practice is enriched by martial arts such as Wing Chun, Escrima, and Chi Kung.

Currently on the faculty at Dance Arts Institute (formerly Toronto Dance Theatre) in Toronto, Momo has taught at various institutions including 丁香园AV, UC Berkeley, Studio 303 (Montreal), ODC (San Francisco), and BOE (San Francisco). His teaching philosophy integrates his dance lineage, personal practice, and life experiences, fostering an inclusive and exploratory learning environment.

Momo is mentoring PhD candidate Ane Iselin Brogeland at the University of Stavanger on a project exploring dance improvisation and grief. He was invited by David Zambrano to participate in research at TicTac art center and to perform at its anniversary alongside world-renowned artists like Sasha Waltz, Ivo Dimchev, Thomas Hauert, and Yoshiko Chuma.

Momo鈥檚 artistic practice explores the intersection of dance, image, and sound to shift perceptions of time and self. Grounded in his lived reality in Iran, his projects examine bodily autonomy and collective agency. Committed to questioning artistic norms, Momo creates environments that foster exploration, driven by his fascination with epistemology, playfulness, and cultural appropriation.

Rebecca Bracewell

MFA GRADUATE STUDENT

Rebecca Bracewell is an artist working primarily in sound, whose work explores listening, its limits, and is led by a desire to explore sound through a myriad of lenses and senses. 

Her current practice encompasses field recording, magnetic tape, and a fascination with memory and the way it inhabits material things.

Much of her practice has also centred around a creative of use of hearing aids as sound making devices, and as such they often feature as musical instruments in her work. 

Irfan Brkovic

MFA Graduate Student

Irfan Brkovic is a video artist who works with audiovisual synthesis and immersive environments. He is interested in creating interactive spaces using sound, visuals and lights. He is a member and head video artist at in New York, where he design real time interactive video systems for live performances. He is also a founding member of , an artist collective and makerspace dedicated to the exploration of media, performance, creative coding and interdisciplinary art practices.

Alex Calcagno

MFA GRADUATE STUDENT

Alex Calcagno is an experimental artist focusing on sound, clay and words. Currently, their work explores re-animating 鈥渄ead鈥� and discarded technology, the souls of individual instruments, and the ghosts wandering by. Their practice is based in interpretation and translation, listening and recording processes as instruments, as well as harnessing the invisible worlds of harmonics, vibrations, RF/EMF waves and inaudible sounds.  

They are forever inspired by time, nervous systems, this organismic Earth, and encountering the divine on the trash-stratum. Their work is an attempt at believing in the revolutionary potential of contemplation, grey areas and unreason (even if only as a dream). 

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Keywords: Noise, waves, vibes. 

Elizabeth Ellis

MFA GRADUATE STUDENT

Elizabeth Ellis is an artist, graphic designer, and arts organizer whose work includes moving-image and soundscape composition, text, printed matter, and listening-based participatory activities. Her practice engages with language, sound, and surrounding ecologies to explore expansive modes of communication. Recently, she has been interested in developing multi-sensory reading and writing processes along with plant-life in gardens and on a farm where she volunteers. She is currently living on the unceded St贸:l艒 territory of the Sem谩:th and Mathxw铆 First Nations.

Sarah Finn

MFA Graduate Student

Sarah Finn (she/they) is a multimedia artist working in performance and film. Her work explores mythic narratives set in post-industrial wastelands, to investigate humanity鈥檚 spiritual and ethical unknowns. Using surreal storytelling, physical performance, video and puppetry, they co- create worlds where queer and beyond-human futures emerge from modern ruins. Her multimedia performances and films have been presented at festivals internationally and various venues in New York. She trained at Ecole Internationale de The虂a虃tre Jacques Lecoq in Paris, France and got her BA from Sarah Lawrence College.

Tara Cheyenne Friedenberg

MFA Graduate Student

Tara Cheyenne Friedenberg is an award-winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level." Along with her own creations, Tara has collaborated with many theatre companies and artists, including: Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca Del Lupo, Ruby Slippers, The Firehall Arts Centre, and Vertigo Theatre (Calgary).

With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can鈥檛 remember the word for I can鈥檛 remember, Body Parts, and Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations, Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy, and theatre. She is sought after for creating innovative movement for theatre and has performed her full-length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary, etc.). Her most recent solo, Body Parts, premiered at The Cultch in May and is currently on tour. Current research focuses include gender, the attention economy and neuroscience, and aging. Tara lives on the unceded Coast Salish territories with her partner, composer Marc Stewart, and their child Jasper.

Key words: Dance, Comedy, Theatre, Gender

Talal Faisal Ismaili

MFA GRADUATE STUDENT

Talal Faisal Ismaili born in 1992 in Karachi, is an emerging artist based in Lahore. He received his early education at Aitchison College, Lahore and then graduated from the School of Visual Arts at Beaconhouse National University majoring in Sculpture/ Installation Art in June 2017. A promising young artist, he made it to the Dean's Honor List in 2015. Since graduation he has been part of numerous group shows in Lahore and Karachi, a residency in Lahore, also having exhibited his work in the "Karachi Art Summit" and the first edition of the "Karachi Biennale" in 2017. Talal was also part of the Lahore Biennale 02 (2020) production team and had the privilege to help construct and supervise a monumental 10- channel video installation display by renowned Kazakh Artist Almagul Menlibayeva at the PIA Planetarium Lahore. 

In 2023, he was granted the opportunity to curate the inaugural exhibition of the newly established 鈥淪chool of Creative Arts鈥� at the University of Lahore.

Kevin Jesuino

MFA Graduate Student

Kevin Jesuino is a first-generation settler multi-disciplinary performer, performing arts educator, movement coach, arts facilitator, LGBTQ+ activist, and community organizer of Portuguese heritage. His work is oftentimes collaborative, site-specific, participatory, and process-oriented. His practice explores relationality, the stories within our bodies, and the queer joy of uncertainty. He draws from research in queer performance, queer ecology, body memory, improvisation, community & participatory art practices, placemaking, and site adaptive/responsive performance.  His community-embedded projects engage participants in performative actions, discussions, creative interventions, activations, and other forms of organizing. He is the Co-Artistic Director of TRAction and is currently completing his MFA in Contemporary Art at 丁香园AV. Kevin is currently living on the unceded traditional territories of the  x史m蓹胃k史蓹y虛蓹m (Musqueam), S岣祑x瘫w煤7mesh (Squamish), and s蓹lilw蓹ta涩 (Tsleil-Waututh) Nations (Vancouver, BC), however, in the recent past has also called 础尘颈蝉办飞补肠卯飞芒蝉办补丑颈办补苍 (Edmonton, Alberta) and Mohkinstis (Calgary, Alberta) his home.

Tung Pang Lam

MFA Graduate Student

Hong Kong born, and working between Hong Kong, London and Beijing in the early stages of his career, Tung Pang Lam experienced the coming-of-age that coincides with drastic social changes, a result of his homeland鈥檚 decolonisation from a constitutional monarchy and new allegiance to China in a short span of time. Traversing between the media of painting, site-specific installation, sound and video, Lam鈥檚 playful practice arises from a curious imagination that recombines traditional iconography and vernacular elements, innovating with a myriad of found objects and images to form new practices that are often experimental in nature. Lam鈥檚 works engage the themes of collective memories and fleeting nostalgia, which articulate an ongoing negotiation of the overlapping city-state鈥檚 reality. In his allegorical landscapes, journeys and sceneries become essential passages connecting time and distance, longing and loss.

Lam鈥檚 work is collected by LACMA (Los Angeles), Asian Art Museum (San Francisco), Burger Collection, the Deutsche Bank, Hong Kong Museum of Art (Hong Kong), Kadist Art Foundation (France and USA), White Rabbit Contemporary Chinese Art Collection (Australia) and M+ (Hong Kong), among others.

Caroline Liffmann

MFA Graduate Student

Caroline Liffmann is a performance maker, choreographer and educator with a home base in contemporary dance. Her work is influenced by over 20 years of dance practice and performance, as well as training in facilitation, conflict transformation and trauma-informed practice. Guided by relationships and a sense of play, Caroline is interested in absurdity, magical realism, humour and delight. Her approach is collaborative, grounded in improvisation, and often embraces a DIY ethos, creating for the stage, the screen, outdoors and neighborhood spaces. Caroline bridges her creation and facilitation practices through community-engaged dance, and has worked extensively as a dance, arts and museum educator with children, youth and families. She is a collaborating performer with Myriad Dance Projects and Foolish Operations. Originally from the prairies, Caroline lives and works on the traditional, ancestral and unceded territories of the Squamish, Musqueam and Tsleil-Waututh Nations.

Chelsea MacKay

MFA Graduate Student

Chelsea MacKay is an interdisciplinary artist of Anishinaabe and European descent who works and lives in the unceded and ancestral territory of the Musqueam, Squamish, and Tsleil- Waututh Nations. Drawn to the convergence of industrial design, painting and sculpture. A passion for movement and dance emerged early on from studying ballet and contemporary dance. Through dance she discovered the profound beauty of expression through gestures, and this fascination later evolved into an exploration of underground dance culture. In these spaces

she observed how music scenes fostered community and empowered personal expression. Recently she has been focusing on painting as a means to convey the freedom and euphoria that dance can evoke. Her works embrace gestural brush strokes, vibrant colour fields, and abstract undulating forms. Her sculptural pieces draw inspiration from realms of fantasy, psychedelia, pop culture, and surrealism, showcasing a diverse range of artistic expression. Whether in paintings or sculptural works she invites the viewer to immerse themselves in the expressive journey, where colours, forms, and materials intertwine to convey the complexities of human connectivity.

Ghazal Majidi

MFA Graduate Student

Ghazal Majidi (b. 1995, Tehran) is an experimental filmmaker, new media artist, and animator. Her body of work ranges between 3D animated shorts, music videos, generative audiovisuals, and photography. With a bachelor鈥檚 degree in Architecture from Shahid Beheshti University, she has dived deep into the dynamics between Space and Story- a reciprocating relationship that drives most of her work. As so, she seeks new qualities of surrounding space that lure in outlandish tales, while exploring familiar concepts like identity and its subcategories, i.e. memory, illusion, loss and attachment, as well as humans鈥� interaction with their environment. Her works have been presented in film festivals and galleries in Iran, Germany, Austria, Belgium, United States, Japan, Spain, Slovakia, etc., including Vienna Shorts, Brussels International Film Festival, and Kuenstlerhaus Bethanien Berlin. Throughout her career, she has maintained a cross-disciplinary dialogue with sound and music while collaborating with respected international musicians to interpret sound into moving image. In her animated sequences, she exploits the intersections of Film and New Media with an experimental approach towards storytelling and genre. In her recent experiences she has expanded her practice to virtual reality productions, immersive storytelling, and data driven installations.

Liz Oakley

MFA Graduate Student

Liz Oakley is a puppeteer, deviser, designer, and teaching artist. She creates collaborative and solo multidisciplinary object-based performances, installations, and processions. She also works as a freelance puppet designer and puppeteer. Her interests include site-engaged and participatory performance events, scale play, paper mache, animated scenography, medieval iconography, queer embodiment, and exposing/challenging normalized understandings of place and utility.

Marcela O帽ate-Trules

MFA GRADUATE STUDENT

Marcela O帽ate-Trules is a lens-based artist, dreamer, daughter/sister/friend, organizer, and storyteller dedicated to filling the gaps in archives by creating (audio)visual records that tell the stories of people and territories close to her heart. She sees her practice as one of 鈥榚mbodied archiving鈥�, where she practices deep listening and bears witness with her body/mind/heart/spirit and camera.

Her work is experimental, blending analog and digital formats in an attempt to time travel. She explores how the past permeates the present, manifesting as both scars and open wounds. She is inspired by the natural world, everyday life or cotidianidad, her beloveds, the way light shimmers on water, and grassroots movements around the globe. Her work has combined aspects of the essay film, archival research, oral history, field recordings, and low chemical photographic development.

Marcela is based between Southern Chile and the Bay Area in Northern California. Her work has been showcased at Film Diary NYC (USA), Coyaiqhue Cultural Center (Chile), and FECISO 鈥� Festival de Cine Social y Antisocial (Chile).

Christopher Outten

MFA GRADUATE STUDENT

Christopher Outten is a Bahamian artist located in Vancouver, Canada. Outten鈥檚 art expresses his current reality by manifesting physical representations of unconscious processes, and translating his consciousness onto material. He seeks to create work that delves into issues pertaining to identity within the diaspora. He credits his current journey to Vancouver as the catalyst for his compassionate exploration of differences in world views. With that compassion he has also gained a profound care for the materials he employs. He credits writers such as Frantz Fanon and their views on African Phenomenology as one of the key points of reference in his current research. 

Avideh Saadatpajouh

MFA Graduate Student

Avideh Saadatpajouh is a multimedia artist and design activist exploring techno-art's endless possibilities. Her motto: Explore, Experience, Enhance. Born in the west side of Asia, based in the east side, and studying in the west side of Canada, she is a citizen of nature. Her explorations are at the intersection of performance art and technology, focusing on the impact of the Human-Centric worldview on surrounding environments and other habitats. Drawing on her collective knowledge of new media art, architecture, and industrial design, she explores design in digital spaces, internet art practices, performance art, and interactive installations. She would like to dive deeper into how to make invisible frequencies visible, which is the continuation of her recent interactive installation, 鈥減ulse-fiction,鈥� and how we could create eco- techno art in this human-centric world, which is the next stage of her thesis, 鈥淗enosis,鈥� at OCADU. She works internationally and has had shows and exhibitions in Canada, the USA, Iran, and Turkey. She values multidisciplinary collaboration and experimentation and believes that people with different backgrounds and mindsets can give distinctive perspectives to each other while working on the same topic.

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#interactive_art #techno_vs_eco #visible_frequencies #eco-centric-life

Niloufar Samadi

MFA Graduate Student

Niloufar Samadi is a director, performer, singer and puppeteer based in Tehran, Iran. She studied bachelor of Puppet Theatre in the Tehran University of Art, Iran. She is interested in the intersections of puppets with visual arts and science. Her works seek to examine the relation between the body of performer and the body of puppet, new experience in digital media, the use of game and ritual in social practice performance.

Taha Saraei

MFA GRADUATE STUDENT

Taha Saraei is an interdisciplinary artist with a diverse background in stage direction, photography, installation, performance making, and music. His works utilize the communicative fundamental principles of these disciplines to create individualized experiences. He primarily explores human behavior and instincts by constructing interactive environments for audiences to encounter. Each of his creations is based on its own algorithm/system, shaping the random wholeness of the piece. This simply makes his works a unique and unintentional practice for viewers to experiment with and discover, just as they are for him.

Alexis Chivir-ter Tsegba

MFA Graduate Student

Alexis Chivir-ter Tsegba is a Nigerian visual artist who experiments with digital collage-making. As a person with multiple interests including drawing, photography, graphic design and architecture, collage making has proven the ultimate medium for her to express herself without limitations. Her work directly engages subjects such as Afro-futurism, queerness and gender expression, religion, spirituality and the exploration of the inner self. Alexis is drawn to art forms that are characterised by experimentation and synthesis wary of borders limits and fixed genres. While also being interested in challenging mainstream notions of queerness, masculinity and femininity in the context of post-colonial Africa by dreaming up futures where there is no divide but room for fluidity and acceptance. She holds degrees in Law as well as Creative and Media Enterprise. Her works have been shown in galleries in the U.S., U.K, Nigeria, South Africa, Germany etc.

Taryn Walker

MFA Graduate Student

Taryn Walker is a queer, interdisciplinary Indigenous artist of Nlka'pamux, Syilx, and mixed European ancestry whose work explores concepts of identity, tenderness, healing, cycles of life and death, and the supernatural through drawing, printmaking, installation, and video. In 2018 Walker graduated from the University of Victoria's BFA program with a Major in Visual Arts and a Minor in Art History & Visual Studies.Taryn was awarded the Diane Mary Hallam Achievement Award by the University of Victoria for academic excellence and commitment to the arts in 2018 and in 2017 they were also longlisted for the Philip B. Lind Emerging Artist Prize, presented by the Presentation House Gallery for demonstrating excellence as an emerging video artist and photographer. Most recently, in 2022 they were shortlisted for the ohpinamake prize presented by the University of Saskatchewan. Walker鈥檚 work has been presented in spaces, residencies, and events across Western Canada and beyond. Their artistic research has also been granted support from the Edmonton Arts Council, the Indigenous Curatorial Collective, and the First Peoples Cultural Council.

Jaeden Walton

MFA GRADUATE STUDENT

Jaeden Walton is a performing arts designer originally from the land of the Syilx Okanagan people (colonially known as Kelowna, BC).  Jaeden holds a BFA in Theatre Design from the University of Victoria, awarded with distinction.

Jaeden鈥檚 main artistic disciplines lie within scenography, primarily scenic and sound design. They grew up infatuated with music and studied percussive theory and performance from a very young age, taking many private lessons in piano theory, percussive jazz studies, and percussive heavy metal. Jaeden鈥檚 background in music is what eventually led them to pursue sound design in the realm of scenography. The exposer to the world of theatre through the lens of sound design opened a whole new world of artistic possibility for Jaeden, now being drawn to all elements of scenography. Drawing heavy inspiration for their work in questioning the nature of how things operate, and how they can mold that into something new, Jaeden strives to lure the spectator into a piece that seems 鈥榥ormal鈥� at first, to then expose them to something more radical and abstracted.

Boyu Xu 

MFA GRADUATE STUDENT

Boyu Xu (They/Them) is an interdisciplinary artist specializing in photography, video art, animation, and projection installation. Born and raised in Tianjin, China鈥攁 city near Beijing鈥擝oyu relocated to Canada in 2020 and currently resides in Vancouver, BC. They completed their Bachelor of Fine Arts honors degree at the University of Victoria and have since advanced their studies at 丁香园AV's School for the Contemporary Arts.

Boyu's work has been prominently featured between 2022 and 2024, focusing on projection installations and photography. Their art often explores themes of displacement, grief, and the experience of navigating minority status within unfamiliar cultural landscapes, reflecting their journey from China to Canada.