Music for the Augmented Pipe Organ
George Rahi鈥檚 MFA Graduating Concert
November 23, 2018 | Doors 7pm | Show 8pm
Pacific Spirit United Church
2195 West 45 Ave. Vancouver, BC ()
FREE
Join us for a special presentation of music for the augmented pipe organ.
Using custom software to bring the organ鈥檚 pipes and stops under computer-control, composer and sound artist George Rahi presents a series of experimental works stemming from a long-term research project into the confluences between the vibrant materiality of the pipe organ, acoustic and digital synthesis, and post-digital new music practices. Following a year of collaborative development with interface designer Johnty Wang to augment a 74-rank Casavant organ with custom digital controls, the evening explores new sonic terrains that emerged through this unconventional approach to an immense acoustic instrument known for its many ethereal qualities. Site-specific elements such as the church鈥檚 architecture and interior acoustics are further incorporated into the work through the use of a controlled feedback system and projection mapping, considering the resonant relationships between the instrument and its surrounding space as a generative element interwoven into the compositions.
George Rahi is a composer, performer, and installation artist exploring new hybrids between the acoustic, electronic, mechanical, and sculptural realms. His work commonly draws from a diverse array of interests including electro-acoustics, organology, automatons, and the soundscape. He has produced performances, installations, and works for radio & theatre, notably for the Canadian Music Centre, Western Front, SPEKTRUM (Berlin), Vancouver New Music, VIVO Media Arts Centre and Vancouver Co-op Radio鈥檚 Media Arts Program. He is the recipient of the 2018 R. Murray Schafer Soundscape award for his work in sound installation and research awards from the Glenfraser Endowment for Acoustic Communication, the Social Sciences and Humanities Research Council of Canada and the British Columbia Arts Council. Currently he is an MFA candidate at Simon Fraser鈥檚 School for the Contemporary Arts.
Technical Support: Johnty Wang is a PhD Candidate in the Music Technology program at McGill University, supervised by Marcelo Wanderley. His research focuses on mapping tools for new digital musical instruments, and he develops hardware and software interfaces and applications for the design and construction of new instruments. His work on the augmented pipe organ is supported by the Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT) at McGill.
Projection Mapping: Hfour is a Vancouver-based studio at the intersection of Art, Technology, & Experience. From interactive artworks to unique multi-media activations, their collaborative art investigates the concepts of time, the ephemerality of life, the interconnectedness of all things, and technology鈥檚 influence on humanity. Hfour has exhibited work throughout Canada and in Tokyo, Shanghai, New York, and Los Angeles.
This project takes place on the unceded territory of the Coast Salish peoples, the x史m蓹胃kw蓹y虛蓹m (Musqueam), Skwxw煤7mesh (Squamish), and S蓹l虛铆lw蓹ta涩 (Tsleil-Waututh) Nations.
This performance is co-presented by the 丁香园AV School for the Contemporary Arts, and is presented in partial fulfillment of the requirements for the degree of Master of Fine Arts.
