丁香园AV

• Lesage, F. (2022). Mediatized Skill: How Capabilities with Application Software are Collectively Performed, Perceived, and Organized as Part of Contemporary Media Practices. International Journal of Communication, 16(0), 4801鈥�4824. 
• Lesage, F., & Lusoli, A. (2021). Weaving Mediation and Embodiment: The Media Ethnographer as Figurations of Mediation. International Journal of Communication, 15(0), 2218鈥�2235. 
• Mahoney, T., Lesage, F., & Zuurbier, P. (2021). Investigating politics through artistic practices: Affect resonance of creative publics. European Journal of Cultural Studies, 24(2), 567鈥�588. 
• Poyntz, S., & Lesage, F. (2020). Caring Time in a Hybrid Digital Media System: The Tragically Hip, Public Broadcasting, and Networked Media Events. Canadian Journal of Communication, 45(2), 221鈥�240. 
• Lesage, F., Mahoney, T., & Zuurbier, P. (2020).  Continuum, 34(3), 328鈥�341.
  
• Lesage, F., & Natale, S. (2019). Convergence, 25(4), 575鈥�589.
  
• Mahoney, T., Lesage, F., & Zuurbier, P. (2019).  European Journal of Cultural Studies. 
• Chow-White, P., Struve, S., Lusoli, A., Lesage, F., Saraf, N., & Oldring, A. (2018).  Information, Communication & Society, 21(3), 448鈥�464. 
• Lesage, F. (2018). Searching, Sorting, and Managing Glut: Media Software Inscription Strategies for 鈥楤eing Creative.鈥� In S. Taylor & S. Luckman (Eds.), The New Normal of Working Lives (pp. 109鈥�126). London: Palgrave Macmillan.
• Lesage, F., & Andr茅, G. (2017). Digital Culture and Education, 9(1), 67鈥�82.
•  Lesage, F. (2017). Popular Digital Imaging: Photoshop as Middlebroware. In Malinowska, A., & K. Lebek (Eds.), Materiality and Popular Culture: The Popular Life of Things (pp. 76鈥�87). London: Routledge.
• Lesage, F. (2016). Blast Theory: Playing with publics. In Bianchini , S., & E. Verhagen (Eds.), Practicable: From Participation to Interaction in Contemporary Art a book project supported by the Association Nationale de Recherche de France. Boston: MIT Press.
• Lesage, F. (2016).  Convergence: The International Journal of Research into New Media Technologies, 22(2), 215鈥�229. 
•  Lesage, F. (2015). Middlebroware, Fiberculture. FJC 182. 
• Lesage, F. (2015). 鈥淎 Cultural Biography of Application Software鈥�, in Paterson, C., D. Lee, A. Saha, & A. Zoellner (Eds.), Advancing Media Production Research: Shifting Sites, Methods, and Politics (pp. 217鈥�232). London: Palgrave McMillan.
• Lesage, F. & Rinfret, L. (2015). . First Monday, 20(10). Retrieved from 
• Lesage, F. & Smirnova, S. (2015). 鈥淜eeping up鈥� through Teaching and Learning Media Software: 鈥淚ntroducing鈥� Photoshop. Canadian Journal of Communication, 40(2), 223鈥�241.
• Lesage, F. & Hackett, R.. (2014) 鈥溾��,&苍产蝉辫;Media & Communication, 2(2), pp. 42-54. 
• Lesage, F. & Hackett, R.. (2013) , Media & Communication, 1(1), pp. 39-50. 
• Lesage, F. (2013). 鈥淭he Artist as User, the Artist as Designer鈥�, International Journal of Arts and Technology, 6(2), pp. 152-166.
• Lesage, F. (2013). 鈥淐ultural Biographies and Excavations of Media: Context and process鈥�, Special Issue: Emerging Digital Methods, Journal of Broadcasting and Electronic Media, 57(1), pp. 81-96.
• Lesage, F. (2011). 鈥淭elepresence and its transparent infrastructures鈥�, Digital Creativity, 22(2), pp. 103-114.
• Marshall, J., Airantzis, D., Angus, A., Bryan-Kinns, N., Fencott, R., Lane, G., Lesage, F., Martin, K., Roussos, G., Taylor, J., Warren, L., Woods, O. (2010). 鈥淪ensory Threads鈥�,&苍产蝉辫;Leonardo 43(2), pp. 196-197.

Poyntz, S. R., & Lesage, F. (2016). , by Paddy Scannell. Popular Communication, 0(0), 1鈥�4. 

Lesage, F. (2012). Review: (2012) by Ian Bogost, Culture Machine. October 2012. 

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