丁香园AV

Computer programming and beadwork

Corbett, who is M茅tis, of Cree, Saulteaux, and European descent, was first exposed to computer programming as a child. He began learning multiple forms of BASIC on Commodore and Apple computers at the age of 10 and went on to create his first adventure video game at age 11.

While completing his MFA, Corbett was inspired to merge his early interests in computer programming and art with his Indigenous cultural practices. At the time, Corbett was hand-beading portraits of his family and, drawing on his beadwork practice, he developed a computer program in Processing that digitally-generated beaded portraits.

Corbett would feed the computer program a photo and the program would map out a pattern of where each bead should go.

鈥淔or my MFA I was hand-beading portraits of my kids,鈥� Corbett explained in his interview with journal. 鈥淚 was making a lot of decisions鈥攚hat colour bead to choose, where do I put it? I didn鈥檛 want to do so much thinking, so I wrote a program that made those decisions and beading patterns on my behalf.鈥�

While this project started out as a way to help make the process of physical beading easier by minimizing decisions, it evolved into an entirely digital work that bridged computer-based media and Corbett鈥檚 traditional M茅tis beading practice.

Cree# and the Indigenous Media Toolkit

During the creation of these projects, Corbett was confronted with the limitations of programming languages when it came to integrating his Indigenous cultural practices.

Programming frameworks are typically based on the Latin alphabet and, as Corbett experienced, not easily converted into Indigenous syllabics. Corbett also found that a computer鈥檚 logic did not always reflect his experiences or cultural practices.

From these experiences, Corbett was motivated to think about how he could express elements of his language and heritage in computer programming. He is currently developing a new programming language and integrated development environment (IDE) based on the Cree language and on M茅tis culture called Cree# that allows for programming in Cree keywords, concepts, and metaphors.

鈥淭his programming language uses the natural language and cultural perspectives of Cree directly in the interface with the computer,鈥� says Corbett. 鈥淢y goal is to provide a digital art platform that can be written in any given Indigenous language鈥檚 orthography.鈥�

At SIAT, Corbett鈥檚 Indigitalization Lab will be the site for Indigenously-informed computational creative practice.

He is currently exploring traditional M茅tis sash weaving using computational and generative models, similar to his traditional beadwork. Additionally, Corbett remains strongly tied to his cultural and language learning through his adoptive community at University nuhelot鈥檌ne thaiyots鈥橧 nistameyim芒kanak Blue Quills near St. Paul, Alberta. and is a staunch advocate for Indigenizing and decolonizing computing curricula in STEM/STEAM education. He intends to pass on knowledge from his lived Indigenous experience to SIAT students with courses that will braid together Indigenous culture and western computing technologies.