¶¡ÏãÔ°AV

Recent Papers & Texts

• Speech, Music, Soundscape and Listening: Interdisciplinary Explorations, Interdisciplinary Science Reviews, 2022.
  
  
• Acoustic Sustainability in Urban Design: Lessons from the World Soundscape Project,  Cities and Health, 2019.
  
  
• Combining Performers with Soundtracks: Some Personal Experiences, Ideas Sonicas/Sonic Ideas, CMMAS, Vol. 9 no. 17, 2016 (HTML version here plus pdf; full text )
  
  
• Electroacoustic Music of Extended Duration: A Question of Format, Electroacoustic Music Studies conference (EMS14), Berlin, June 2014. (html materials and written paper)
  
  
• Interacting with Inner and Outer Sonic Complexity: From microsound to soundscape composition, , 2013 (Toronto International Electroacoustic Symposium presentation, August 2013), Italian translation in Musica/Tecnologia, 10, 2016, pp. 67-73.
  
  
• From Epistemology to Creativity: A Personal View, Journal of Sonic Studies, no. 4, 2013.
  
  
• Beyond Soundscape in the 21st Century, keynote address, Sonorities 2013, Queen's University, Belfast, April 2013. (html materials)
  
  
• Music, Soundscape and Acoustic Sustainability, Moebius online journal, inaugural issue, 2012.
  
  
• Sound, Listening and Place: The Aesthetic Dilemma, Organised Sound 17(3), 2012.
  
  
• Jerry Pergolesi, "Quietly Assuming LGBTQ Leadership in New Music," Musicworks, No. 108, 2010, pp. 24-30.
  
  
• Soundscape Composition as Global Music: Electroacoustic Music as Soundscape, Organised Sound 13(2), 2008.
  
  
• “A Voice for All Seasons,” in C. Lane, ed. Playing with Words, CRISAP/RGAP, 2008.
  
  
• The Analysis of Electroacoustic Music as Soundscape, EMS07 Conference, De Montfort University, Leicester, UK, June 2007.
  
  
• Artist Presentation, The Art of Immersive Soundscapes, University of Regina, June 2007.
  


• Electroacoustic Music and the Visual, Academy of Electroacoustic Music text, Bourges, June 2005.
  
  
• Music and Science Meet at the Micro Level: Time-Frequency Methods and Granular Synthesis, Musica Viva conference, Coimbra, Portugal, September, 2003.
  
  
• Homoeroticism and Electroacoustic Music: Absence and Personal Voice, Organised Sound, 8(1), 2003.
  
  
• Genres and Techniques of Soundscape Composition as Developed at ¶¡ÏãÔ°AV, Organised Sound, 7(1), 5-14, 2002.
  
  
• Electroacoustic Music and the Digital Future," Circuit: musiques contemporaines, 13(1), 21-26, 2002.
  

• Stretching Time Stretching Sound, Musicworks, Cover Article by Randy Raine-Reusch, no. 79, Spring 2001, pp. 13-19.
  

• Composition and Diffusion: Space in Sound in Space, Organised Sound, 3(2), 141-6, 1999.

• Time and Electroacoustic Music, Academy of Electroacoustic Music text, Bourges, June 1999.
  
  
• Feature Article, "In Person", The Globe and Mail, Sept. 12, 1998.
  
  
• Models and Strategoies for Acoustic Design, Acoustic Ecology Conference paper, Stockholm, June 1998.
  
  
• Letter to a 25-Year Old Electroacoustic Composer, Academy of Electroacoustic Music text, Bourges, June 1998.
  
  
• Listening and the Electroacoustic Community, Ganzohr Symposium text, Kassel, Sept. 1997.
  
  
• Composition and Diffusion: Space in Sound in Space, Academy of Electroacoustic Music text, Bourges, June 1997.
  
  
• Soundscape, Acoustic Communication, and Environmental Sound Composition, Contemporary Music Review, 15(1), 1996.
  
  

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