Images with agency: Towards a speculative glossary
In Conversation: Heba Y. Amin, Sabine Bitter, Anthony Downey, Laura U. Marks, and ¶¡ÏãÔ°AV visual art students
March 18, 2021 | 10:00 AM (PST) / 6:00 PM (GMT) | FREE | Zoom
Join ¶¡ÏãÔ°AV third-year visual art students, professor Sabine Bitter and resident artist Heba Y. Amin for a virtual tour through the exhibition Images that Take, Images that Give. Using a glossary of terms which describes the politics of imagery within frameworks such as archives, surveillance, technology, and perception, the exhibition probes the agency of images and investigates tactics and technologies that artists use to create, produce and circulate them.
This speculative terminology delineates notions of, for example, the ‘operational image’ and the ‘militant image’, and will be extended by Laura U. Marks’ reflection on the ‘talisman image’, alongside Heba Y. Amin and Anthony Downey’s investigation of the ‘counter-operational image’. The presentation of the exhibition and glossary will be followed by a conversation between Sabine Bitter, Laura U. Marks, Heba Y. Amin and Anthony Downey on post-digital technologies and other ways of seeing.
As a curatorial framework and site of research, the exhibition examines and critiques digital methodologies for artistic practice and knowledge production. Under the mentorship of Audain resident artist Heba Y. Amin, professor Sabine Bitter, and MFA candidate Aakansha Ghosh, the third-year visual arts cohort at ¶¡ÏãÔ°AV have developed artworks that question the conditions and environments of their production -- especially since this class project has been realized via digital tools like email and Zoom.
Counter-Strategies: Digital Methodologies and Practice-Based Research
In Conversation: Heba Y. Amin, Sabine Bitter, Anthony Downey, Claudette Lauzon, Gillian Russell (Digital Democracies Institute), and ¶¡ÏãÔ°AV visual art students
March 25, 2021 | 10:00 AM (PST) / 6:00 PM (GMT) | FREE | Zoom
How can we develop counter-strategies for image production and circulation in a post-digital age? This roundtable with Heba Y. Amin, Sabine Bitter, Anthony Downey, Claudette Lauzon, and Gillian Russell will discuss how research and artistic practices advance methodologies for thinking from within and through the digital image.
Drawing on their own research and artistic practice, the speakers will explore how practitioners can realign and potentially redefine how we understand the production, dissemination, and reception of digital imagery. This implies that we revise methodological approaches to the question of digital epistemologies and enquire more fully into what is it to produce knowledge through creative practices in an age of apparent digital dystopia.
¶¡ÏãÔ°AV third-year visual art students: Debbie Chan, Sena Cleave, Sofia Grace, Shinaaz K. Johal, Ritz Li, Daniel Lin, Quinn Lumsden, Sahar Rahmanian, Ravneet Kaur Sidhu, Paige Smith, Xiaotong Sun (Shiny), Lil Waldegger, and Yunze Xie (David)
is currently the 2021 Spring Audain Visual Artist in Residence at the School for the Contemporary Arts at ¶¡ÏãÔ°AV. She is the co-founder of the , curator of visual art for the journal, and currently sits on the editorial board of the .
is a Vancouver-based artist and Professor at the School for Contemporary Arts at ¶¡ÏãÔ°AV, Vancouver. She collaborates with Vienna-based artist Helmut Weber on projects addressing the politics of representation and space. Engaging with architecture as a frame for spatial meaning, their research-oriented practice resulted in projects like and Housing the Social. In 2004, Sabine Bitter, Jeff Derksen and Helmut Weber formed the urban research collective whose collaboration led to several exhibitions, including with Camera Austria, Graz, 2021.
is Professor of Visual Culture in the Middle East and North Africa (Birmingham City University). He is the Cultural Lead and Co-Investigator on a four year AHRC funded research project that focuses on cultural practices, education, and digital methodologies in Lebanon, Palestine and Jordan (2020-2024). He sits on the editorial boards of and the , respectively, and is the series editor for (Sternberg Press, 2019–ongoing). He is currently writing up his forthcoming volume Unbearable States: Digital Media and Cultural Activism in a Post-Digital Age (2021).
Claudette Lauzon is a contemporary art historian specializing in installation, sculpture, and new media art practices. She is the author of (University of Toronto Press, 2017), which looks at the ways in which artists use the space of home (both literally and figuratively) to reframe human responses to trauma. She is co-editor of (McGill-Queen’s University Press, forthcoming) and (Palgrave, forthcoming). Her current book project, Eyes in the Sky, examines cultures of surveillance and militarization through the lens of critical posthumanism. Before joining the School for the Contemporary Arts, Lauzon was assistant professor of modern and contemporary art history at OCAD University in Toronto, where she also served as Associate Dean in the Faculty of Liberal Arts and School for Interdisciplinary Studies.
is Grant Strate University Professor at the School for Contemporary Arts at ¶¡ÏãÔ°AV, Vancouver. Her research focuses on media art and philosophy with an intercultural focus, and on small-footprint media. Her publications include Hanan al-Cinema: Affections for the Moving Image (MIT, 2015) and (MIT, 2010). She develops experimental media programmes for venues around the world, most recently the , Vancouver, 2020.
Gillian Russell is a SSHRC postdoctoral fellow with the . She is a designer, curator and researcher whose practice explores the role of speculative intervention in developing methodologies and tools to actively engage publics in unveiling present realities and future possibilities. Her work has been featured at the Porto Design Biennale, Helsinki Design Museum, Design Museum London, London Design Festival, Milan Furniture Fair and the Victoria & Albert Museum. In 2017 Gillian obtained her PhD in Design at the Royal College of Art, London. Her dissertation examined the relationship between critical design and its contexts of dissemination.
Presented by ¶¡ÏãÔ°AV's School for the Contemporary Arts and the Audain Visual Artist in Residence.Co-presented as part of the public program of Heba Y. Amin’s solo exhibition , curated by Anthony Downey at the , London.
The School for the Contemporary Arts recognizes that we are on the unceded and occupied territories of the xwməθkwÉ™yÌ“É™m (Musqueam), Skwxwú7mesh (Squamish), and SÉ™lÌ“ÃlwÉ™taɬ (Tsleil-Waututh) peoples.