M a r t i n X S. X G o t f r i t
[works]XX [c.v.] XX[current projects] XX[simon fraser university]XX [downloads]XX [links]
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Video documenation of a work for MIDI guitar and software. Performed October 2013, Theatre T, ¶¡ÏãÔ°AV Woodwards. | ||
Music for the July 2013 run of the play "THe Secret Doctrine". Featuring Jeff Corness (piano), Andreas Kahre ('cello) and Stefan Smulovitz (viola) as collaborators/performers. Martin Gotfrit fretless guitar and eBow guitar. |
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Jumping from the Vostok | ||
Documentation (4/17/11) of a concert work for fretless MIDI guitar and electronics |
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Winter Solstice 2009 | ||
A short piece for a new MIDI guitar: About the winter and the decade just ending. |
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Documentation of a recent concert work for MIDI guitar, fretless guitar and GitM system. |
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Documentation of a song with lyrics by mIDI guitar Diamond. Features fretless guitar. |
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CBC commission commemorating the 1st anniversary of 911. |
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Horn Please! | ||
Recent 8 channel concert work - 2 channel reduction. |
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The Screens | ||
Score for theatre work. |
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Storytime | ||
Documentation of live performance work for GitM system (1998). |
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Laika | ||
Studio version of concert work - features GitM system. |
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Playing Guitar in the Late 20th Century | ||
Documentation of live performance for solo guitar and electronics. |
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Noel Street | ||
Piano solo. For a childhood neighbour who died too young. (1998) |
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Trailer for an Action Film | ||
Overdubs and a 4 track cassette: Roland 808 drum machine, DX7 and guitars. No sequencers. Just for fun. Film never made. |
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Antigone | ||
Score for theatre work |
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CBC Radio Article | ||
CBC's The World This Weekend article about my research (1/16/2000) |
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Una Voce | ||
Dance score circa 1986 - choreography by Mairin Wilde. Created on a 4 track cassette deck with a DX7. |
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Time's Helix | ||
Excerpt from a dance score written for a solo work by Santa Aloi in 1984. Produced on a 4 track cassette for DX7 and electric guitar. |
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blue light with angels, falling | ||
Solo for DX7 and second FM synthesizer module. Studio version. |