丁香园AV

We congratulate doctoral students Dana Graham Lai and Kate Moffatt on winning SSHRC Canadian Graduate Scholarships. Lai will explore constructions of space in fiction, autobiography, and poetry in her project, "Space Matters: Power and Gender in 19th-century Scottish Women's Writing," while Moffatt鈥檚 project combines digital humanities mapping tools with hardcore bibliography and is titled, "Mapping Women in the London Book Trades, 1750-1800."

丁香园AV English thanks all the faculty who worked with Lai and Moffatt, especially their respective supervisors, Professors Leith Davis and Michelle Levy.

Learn more about their projects:

Dana Graham Lai鈥檚, "Space Matters: Power and Gender in 19th-century Scottish Women's Writing"

Dana Graham Lai will investigate the relationship between space, place, and gender in the works of Scottish Women Writers from 1789-1850. She believes that whether we look at the past or the present, gender permeates space and is never neutral. As such, how women writers used space and place as narrative strategies is critical in understanding hidden relations of power in the production of space. Dana will examine how Scottish women negotiated relationships of power within the spaces they occupied, including factory, domestic, and natural spaces, as well as conceptual spaces, such as economic, cultural, legal, and medical spaces. Her methodology will involve defining and mapping ideological spaces in the narratives under study. She will combine feminist geographer Doreen Massey鈥檚 theories of feminist geography with Michel Foucault鈥檚 historical analysis of power and knowledge. What matters in space is rooted in identity, and for women, this means acts of exclusion are intertwined with issues of power and ideology, which also determine how or if women鈥檚 space is valued. Her research will consider a range of authorship and genre to illuminate spatial power relations across classes.

Kate Moffatt鈥檚 "Mapping Women in the London Book Trades, 1750-1800"

Kate Moffatt takes up women鈥檚 (in)visibility in 18th-century book trades. Women鈥檚 presence as publishers, printers, and booksellers has long been an open question; large-scale bibliographical projects and resources like the British Book Trade Index have not traditionally accounted for gender, nor allowed users to search by gender, making it difficult to counteract widely accepted narratives about book labour. It is only recently that research and projects by such scholars as Michelle Levy, Helen Smith, Kate Ozment, Cait Coker, Maureen Bell, and Paula McDowell have begun to meaningfully and quantitatively counter the assumption that women were not involved in the production of books by way of the book trades.

Taking inspiration from Smith鈥檚 Grossly Material Things (2012) and her work demonstrating how tracing addresses of book trades businesses can reveal trade networks and book districts in the early modern period, this project will map the trade addresses of women publishers, printers, and booksellers in London from 1750 to 1800 to centre women鈥檚 embodied labour and their visibility. The accompanying dissertation will take up this idea of 鈥渧isibility鈥� to ask, in what ways were these women visible, materially and physically, during the period in which they worked? And how might thinking about the ways in which they were visible then help us make them visible now? Mapping their locations and supplementing those findings with archival research will allow us to ground these women in ways that their traces in books and trades records have not. By bringing their physical presence and surroundings into the scholarly conversation about recovery鈥攖hinking about the ways in which they were visible during their period beyond the material traces left in the books themselves鈥攖his research radically emphasizes their individual and collective visibility outside of existing resources and argues for a reimagining of how we study and conceive of women鈥檚 involvement in the book trades to begin with.