¶¡ÏãÔ°AV

Introduction to acoustics, psychoacoustics, sound synthesis, audio sampling and signal processing, and sound production in general as relating to music, film sound, radio, new media, art installations and live performance. Students who have taken CA (or FPA) 184 cannot take CA (or FPA) 149 for further credit. Students with credit for FPA 149 may not take this course for further credit. Quantitative.

Introduces innovations in the fine and performing arts to show the range of possibilities open to those who wish to employ or understand the use of moving images in their disciplinary and multidisciplinary art practices. By the completion of the course students should have a good sense not only of previous innovations and traditions, but of the contemporary scene as well. Students with credit for FPA 186 may not take this course for further credit.

An introduction to the techniques of artistic composition as experienced in a collaborative interdisciplinary studio environment. The emphasis is on the creation, analysis and critique of new compositions created in collaborative groups by students in dance, music, theatre, film/video and visual art. Prerequisite: One of CA (or FPA) 122, 130, 145, 150, 160, 170. Students with credit for FPA 285 may not take this course for further credit.

A hands-on studio course modeled on the progressive development of artistic practice from simple mark-making to full scale installation. Through a process of continuous transformation, an original idea is developed in a sequence of methods, materials and scales. Some research is required. A course materials fee is required. Students with credit for FPA 160 may not take this course for further credit.

A continuation of the work begun in CA (or FPA) 160, with emphasis on particular problems in the visual arts worked through a series of projects, culminating in the Campus Project, a site-specific public work designed, built and installed at the end of the term. Some research is required. A course materials fee is required. May be of particular interest to students in other departments. Prerequisite: CA (or FPA) 160. Students with credit for FPA 161 may not take this course for further credit.

An introduction to the visual arts of the nineteenth century. Formal and thematic approaches to the arts will be introduced, with attention to the social, institutional, national, and international contexts of art. Students with credit for FPA 167 may not take this course for further credit. Breadth-Humanities.

A study of the visual arts from the twentieth century to the present, with attention to the artists, artworks, movements, and discourses that re-defined the functions and meanings of art. The debates of modernism, postmodernity, postcolonialism, feminism, and the avant-garde will be systematically explored. Students with credit for FPA 168 may not take this course for further credit. Breadth-Humanities.

Introduces theoretical concepts and historical issues that have informed the creation, perception, interpretation, and analysis of selected artworks in formative epochs, such as the Renaissance, Romanticism, Modernism, or Postmodernism. Prerequisite: 21 units including six in the history or theory of the fine or performing arts and CA (or FPA) 168. Students with credit for FPA 210 may not take this course for further credit.

This course permits students to work extensively in a mature critical studio environment on a combination of freely chosen and assigned projects in various contemporary media. Reading will be required. Prerequisite: CA (or FPA) 161, and 168. A course materials fee is required. Students with credit for FPA 260 may not take this course for further credit.

Continues work done in CA (or FPA) 260-3. Work will combine freely chosen and assigned projects in a variety of contemporary media. Readings will be required as an integral part of studio work. Prerequisite: CA (or FPA) 260. A course materials fee is required. Students with credit for FPA 261 may not take this course for further credit.

A studio course introducing drawing practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. Prerequisite: CA (or FPA) 160. A course materials fee is required. Students with credit for FPA 262 may not take this course for further credit.

A studio course introducing painting practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. Prerequisite: CA (or FPA) 160. A course materials fee is required. Students with credit for FPA 263 may not take this course for further credit.

A studio course introducing sculptural practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. Prerequisite: CA (or FPA) 160. A course materials fee is required. Students with credit for FPA 264 may not take this course for further credit.

A studio course introducing photographic practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. Prerequisite: CA (or FPA) 160. A course materials fee is required. Students with credit for FPA 265 may not take this course for further credit.

A studio course introducing topics in art-making practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. May repeat for credit. Prerequisite: CA (or FPA) 160. A course materials fee is required.

An open critical studio course. Students are required to have a program of work prepared at the beginning of the term. This program will constitute the basis of the student's work in the course, and will be the subject of continuing critical discussion. This discussion will be integrated with theoretical studies in the parallel seminar course, CA 366. Those students who have satisfactorily completed the lower division requirements for the major may apply for entry into the third year studio/seminar stream. ¶¡ÏãÔ°AV is by portfolio assessment and course achievement review in the spring term before third year. A course materials fee is required. Prerequisite: CA (or FPA) 167, 168, 210, 261 and status as an approved Visual Art Major. Corequisite: CA 366. Students with credit for FPA 360 may not take this course for further credit.

An open critical studio course. It will continue and extend work done in CA (or FPA) 360. Students are required to have a program of work prepared at the beginning of the term. This program will form the basis of the student's work in the course, and will be the subject of continuing critical discussion. This discussion will be integrated with theoretical studies in the parallel seminar course, CA 367. A course materials fee is required. Prerequisite: CA (or FPA) 360 and 366. Corequisite: CA 367. Students with credit for FPA 361 may not take this course for further credit.

A seminar course to be taken by all students in CA 360. It deals with visual art topics of an historical, critical and theoretical nature that concern practicing artists in the contemporary context. Students will be required to present research papers. Each research subject will be studied in connection with the student's own artistic work. Prerequisite: CA (or FPA) 167, 168, 210, 261 and status as an approved Visual Art Major. Corequisite: CA 360. Students with credit for FPA 366 may not take this course for further credit.

A seminar course to be taken by all students in CA 361. It deals with visual arts topics of an historical, critical and theoretical nature that concern practicing artists in the contemporary context. Students will be required to present research papers. Each research subject will be studied in connection with the student's own artistic work. Prerequisite: CA (or FPA) 366. Corequisite: CA 361. Students with credit for FPA 367 may not take this course for further credit.

This course permits students to work in an open studio situation. Students propose an independent program of work in the media of their choice at the beginning of the term and develop it in critical dialogue with the instructor(s). A course materials fee is required. Prerequisite: CA (or FPA) 361, 367 and status as an approved major in visual art. Students with credit for FPA 460 may not take this course for further credit.

Permits students completing the visual art major to work in an open and critical studio situation. Students continue to develop a body of work begun in CA (or FPA) 460 for their graduating exhibition at the end of the term. Preparation and installation of the exhibition is part of the course requirement. A course materials fee is required. Prerequisite: CA (or FPA) 460 and status as an approved major in visual art. Students with credit for FPA 461 may not take this course for further credit.

Presents drawing practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. Additional assignments will be required for students taking the course at this level. Prerequisite: CA (or FPA) 160. A course materials fee is required. Students with credit for FPA 362 may not take this course for further credit.

Presents painting practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. Additional assignments will be required for students taking the course at this level. (studio). Prerequisite: CA (or FPA) 160. A course materials fee is required. Students with credit for FPA 363 may not take this course for further credit.

Presents sculptural practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. Additional assignments will be required for students taking the course at this level. Prerequisite: CA (or FPA) 160. A course materials fee is required. Students with credit for FPA 364 may not take this course for further credit.

Presents photo-based practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. Additional assignments will be required for students taking the course at this level. Prerequisite: CA (or FPA) 160. A course materials fee is required. Students with credit for FPA 365 may not take this course for further credit.

A studio course presenting topics in art-making practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. This course may be taken more than once for credit under a different topic. Prerequisite: CA (or FPA) 160. A course materials fee is required.

Investigates a selected thematic topic in art and culture studies, for example, postcolonial theory and the arts; perception and embodiment; art activism and resistance; or urban art and culture. May repeat for credit. Prerequisite: 45 units.

Investigates a selected historical topic in art and culture. May repeat for credit. Prerequisite: CA (or FPA) 167, 186, 210.

Traces the interdisciplinary origins of performance studies and brings its concepts and methods to bear on dance, music, theatre, performance art, and media performance. Prerequisite: 45 units including one history/theory course within the School for the Contemporary Arts. Students with credit for CA (or FPA) 311 under this topic may not take this course for further credit. Students with credit for FPA 317 may not take this course for further credit. Breadth-Humanities.

Examines aspects of critical writing associated with the fine and performing arts and encourages students to participate as writers in the artistic and cultural debates of their day. Forms examined will include but not be limited to reviews, articles, descriptive synopses for exhibition and festival programs, curatorial essays, project proposals and artists' statements. Prerequisite: 60 units including at least six units in CA (or FPA) history/theory courses. Students with credit for CA (or FPA) 319 may not take this course for further credit. Students with credit for FPA 319W may not take this course for further credit. Writing.

Provides an in-depth investigation of a selected theoretical, historical or thematic topic in art and culture studies. This course requires independent research leading to a substantial paper, as well as directed reading preparation for seminars. Topics will vary from term to term. The course may be repeated when different topics are offered. May be of particular interest to students in other departments. Prerequisite: Eight upper division units and CA (or FPA) 210.

An in-depth investigation of a selected topic in the history of art and culture. This course can be repeated for credit. Prerequisite: CA (or FPA) 167, 186, CA (or FPA) 210 and 45 units.