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Theatre (Performance Stream) Honours
Theatre students may choose a performance stream or a production and design stream. Both lead to a bachelor of fine arts (BFA) with a major in theatre.
The performance stream emphasizes the development of the theatre artist. The studio courses are supplemented by courses in dramatic literature, theatre history, playmaking, and technical theatre. Courses chosen from disciplines outside theatre give the program an interdisciplinary component. Students are encouraged to participate in productions and to develop their own scripts and performance pieces.
The production and design stream provides a path for students who wish to study theatre, but prefer production and design aspects of the discipline.
Students whose interest in theatre is primarily historical, critical or theoretical are directed to the art and culture studies major program, leading to a bachelor of arts.
間眅埶AV Requirements
Program and course admission is contingent upon University admission. Contact Student Services for admission procedures, requirements and deadlines. Entry to all programs and to many courses is by audition, interview or application. Contact the school’s office for information on procedures and deadlines.
Although the University operates on a trimester system, most FPA courses are planned in a two term (fall and spring) sequence. Consequently, students enter in the fall term (September) and are advised to contact the school in the preceding January for program entry and requirements information.
Transfer Credit and Advanced Standing
Unassigned or general elective (type 2 and 3, respectively) transfer credit awarded for courses completed at other recognized post-secondary institutions will not automatically entitle students to advanced standing in the school’s programs. Advanced standing is generally given on an individual basis as a result of an audition or interview.
About the School's Offerings
Students are encouraged to take advantage of interdisciplinary offerings within the school. As many programs depend on a continuing sequence of courses completed in order, students should plan carefully to gain the maximum benefit and efficiency from their study. Note that not all courses are offered every term and several are offered on a rotational basis, i.e. every third or fourth term. An advisor is available to help plan study programs.
Students are reminded that the school is an interdisciplinary fine and performing arts department, and are strongly advised to acquaint themselves with the many disciplinary courses that are available.
Special Topics Courses
The subject matter (and prerequisites) of special or selected topics courses vary by term.
Prior Approval Prerequisite
Where a prerequisite is, or includes, ‘prior approval,’ approval must be obtained before enrolling in the course. Contact the school for further information.
Program Requirements
Students complete 132 units, as specified below.
Lower Division Requirements
Students complete a minimum of 43 units including:
Four core courses below:
Introduction to acoustics, psychoacoustics, sound synthesis, audio sampling and signal processing, and sound production in general as relating to music, film sound, radio, new media, art installations and live performance. Quantitative.
Introduces innovations in the fine and performing arts to show the range of possibilities open to those who wish to employ or understand the use of moving images in their disciplinary and multidisciplinary art practices. By the completion of the course students should have a good sense not only of previous innovations and traditions, but of the contemporary scene as well.
An introduction to the techniques of artistic composition as experienced in a collaborative interdisciplinary studio environment. The emphasis is on the creation, analysis and critique of new compositions created in collaborative groups by students in dance, music, theatre, film/video and visual art. Prerequisite: FPA 111 and one of FPA 122, 130, 145, 150, 160, 170 or permission of the instructor.
Plus one additional FPA history course outside their major.
and all of:
This studio/theory course incorporates techniques of body awareness, centering, and structural realignment. The emphasis is on body conditioning and body connectedness. This course will be of interest to dancers, actors, kinesiologists, and athletes. This is one of four courses required for entry into the dance major and extended minor program.
An approach to the elements of acting based on improvisation, with some attention to working from established texts. Focus will be placed on the development of the actor's instrument. The work will include the development of individual powers of expression - vocally, physically, intellectually, imaginatively, and emotionally. May be of particular interest to students in other departments. Equivalent Courses: FPA151.
An introduction to the processes, tools and technology used in the production and presentation of the fine and performing arts. Course requirements will include hands-on assignments in the production of theatre, dance, and music events. Students will work directly with equipment and materials, and are expected to be involved in work on productions and exhibitions outside of lecture and lab hours. Laboratory fee required. May be of particular interest to students in other areas and departments.
Begins the concentrated work of training the actor in both the freedom and the control of voice and body. This is accomplished through: work on the self as a source of personal imagery and as a potential wellspring of characters, work with other actors in ensemble relationships, work on text as a blueprint for expression, scene study as a vehicle for the realization of the specific dramatic content and overall shape of a play. Prerequisite: Prior to enrolment in this course, the student must pass a successful audition. Corequisites: FPA 129, 254.
Continues and expands upon the work undertaken in Acting I. Prerequisite: FPA 250 and 254. Corequisite: FPA 255.
Introduces elements of playmaking such as self scripting, mask exploration, clowning and political theatre. The objective is to enable students to make their own theatre. Laboratory fee required. Prerequisite: 間眅埶AV to FPA 250 or prior approval.
Expands the work undertaken in Playmaking I emphasizing writing skills and story structure. May repeat for credit. Prerequisite: FPA 150, 151 and prior approval.
This is the first of four courses in performance research, each of which is 'attached' to one of the four courses: FPA 250, 251, 350 and 351. The work comprises voice and speech training. Prerequisite: Prior approval. Corequisite: FPA 250 and 129.
This is the second of four courses in performance research. The work comprises voice and speech training. Prerequisite: FPA 250 and 254. Corequisite: FPA 251.
A conceptual approach to a selected body of dramatic work focusing on the detailed structural analysis of dramatic texts, their historical context, their development and production histories. Particular emphasis will be placed upon the evolving relationship between theatre and its audience. May be of particular interest to students in other departments. Writing/Breadth-Humanities.
and one of
An introduction to the management, and organization of the performing arts. This course will provide a grounding for students who wish to become further involved in the administration of the performing arts and may include practical experience outside of regular seminar hours. May be of particular interest to students in other areas and departments.
Students having a basic familiarity with elements of production and design participate in an in-depth theoretical and practical exploration of stage management, staging, audio and lighting for theatre, dance and music production. Assignments will be conducted in class and through practicum work on productions. May be of particular interest to students in other departments. May repeat for credit. Prerequisite: FPA 170 or 171.
+ See advisor for course options.
Upper Division Requirements
Students complete a minimum of 45 units, including all of
Continues and expands work undertaken in FPA 250 and 251, with an increased emphasis on work with established texts. Prerequisite: FPA 251 and 255. Corequisite: FPA 354.
Continues and expands on the work undertaken in Acting III. Prerequisite: FPA 350 and 354. Corequisite: FPA 355.
This is the third of four courses in performance research comprising voice and speech training. Prerequisite: FPA 251, 255. Corequisite: FPA 350.
This is the fourth of four courses in performance research, comprising voice and speech training. Prerequisite: FPA 350, 354. Co-requisite: FPA 351.
A conceptual approach to a selected body of dramatic work. The detailed structural analysis of dramatic texts, their historical context, their development and production histories. Particular emphasis will be placed upon the evolving relationship between theatre and its audience. May be of particular interest to students in other departments. Prerequisite: 24 lower division units or prior approval. Writing/Breadth-Humanities.
A course in the fundamentals of directing leading to public performance of student directed projects. Allows the option of public performance with a professional director. Integrates and implements the techniques acquired in the earlier studios. Prerequisite: FPA 150, 151, and prior approval from the instructor. May be repeated for credit if course content is different.
and an additional 28 units of upper division credit
A maximum of 8 upper division units may come from outside FPA.
and a minimum of 20 units chosen from FPA upper division courses (placement in courses is based on prerequisites and/or permission of the instructor).
+ See advisor for course options.
Writing, Quantitative, and Breadth Requirements
Students admitted to 間眅埶AV beginning in the fall 2006 term must meet writing, quantitative and breadth requirements as part of any degree program they may undertake. See for university-wide information.
WQB Graduation Requirements
A grade of C- or better is required to earn W, Q or B credit
| Requirement |
Units |
Notes | |
| W - Writing |
6 |
Must include at least one upper division course, taken at 間眅埶AV within the student’s major subject | |
| Q - Quantitative |
6 |
Q courses may be lower or upper division | |
| B - Breadth |
18 |
Designated Breadth | Must be outside the student’s major subject, and may be lower or upper division 6 units Social Sciences: B-Soc 6 units Humanities: B-Hum 6 units Sciences: B-Sci |
|
6 |
Additional Breadth | 6 units outside the student’s major subject (may or may not be B-designated courses, and will likely help fulfil individual degree program requirements) | |
Residency Requirements and Transfer Credit
The University’s residency requirement stipulates that, in most cases, total transfer and course challenge credit may not exceed 60 units, and may not include more than 15 as upper division work.
Elective Courses
In addition to the courses listed above, students should consult an academic advisor to plan the remaining required elective courses.
For calendar technical problems or errors, contact calendar-sfu@sfu.ca | Calendar Changes and Corrections