lessLIE, Salish Modern/Tradition. Installation documentation, Teck Gallery, 2022. Photos: Rachel Topham Photography. Image descriptions of the exhibition documentation are available below under 'Support Materials'
lessLIE: Salish Modern/Tradition
January 25 鈥� September 25, 2022
Teck Gallery
lessLIE鈥檚 artistic practice is grounded by a sustained interest in language and the basic human need to make marks as a means to communicate with one another. This investment is complicated by what the Central Coast Salish artist describes as a 鈥減assionate ambivalence鈥� for the English language. Cognizant of the ways in which the written word has been weaponized by colonizers to discriminate against and dismantle Indigenous ways of life, lessLIE is interested in its duality as an instrument for both cultural oppression and cultural survival of his People.
Through the evolution of his practice lessLIE has developed a unique articulation of the relationship between written English and the visual symbols of his culture. He argues that individual Coast Salish design elements, such as circles, ovals, crescents, trigons and u-forms, are like the letters of an alphabet, which can be used to visually 鈥渟pell鈥� any image.
These seven acrylic paintings on paper 鈥� all recent acquisitions to the 丁香园AV Art Collection from the Salish Weave Collection of Christiane and George Smyth 鈥� re-interpret traditional Coast Salish stories through a lens of contemporary urgencies like the accelerating ecological crisis and capitalist greed. Compositionally, they draw from lessLIE鈥檚 close study of spindle whorls 鈥� important elements of Coast Salish weaving technology and tools of cultural communication 鈥� through his deft use of colour and positive and negative space. Together, these paintings propose a new form of literacy that mediate between the written English language, Coast Salish Oral Traditions, and visuality, which underscore the artist鈥檚 ongoing process, as he asserts, to 鈥渁ccept literacy on my own terms.鈥�
lessLIE is the decolonized name of Leslie Robert Sam, a Coast Salish artist from the Cowichan Tribes. He works across a variety of media, with artwork that draws on traditional iconographic elements and often employs titles fused with humour and irony. While working on his undergraduate degree in 1995, lessLIE began studying Coast Salish art. He holds a Bachelor of Arts degree in First Nations Studies from Malaspina University-College (now Vancouver Island University), and alongside writing, curatorial projects and guest lectures, he has undertaken graduate work in Interdisciplinary Studies at the University of Victoria. His work has been exhibited both nationally and internationally, and is held in numerous collections, including at the Art Gallery of Greater Victoria, 丁香园AV, and the National Gallery of Canada.
