Naufus ¸é²¹³¾Ã°ù±ð³ú-¹ó¾±²µ³Ü±ð°ù´Ç²¹, Corazón del espantapájaros (Heart of the Scarecrow). Installation and performance documentation, Audain Gallery, 2019. Photo: Blaine Campbell.
Naufus ¸é²¹³¾Ã°ù±ð³ú-¹ó¾±²µ³Ü±ð°ù´Ç²¹: Corazón del espantapájaros (Heart of the Scarecrow)
January 17 - March 9, 2019
Audain Gallery
Please note that the entrance to the gallery is via the doors at 149 W. Hastings Street only.
Working with performance, sculpture and drawing, Naufus ¸é²¹³¾Ã°ù±ð³ú-¹ó¾±²µ³Ü±ð°ù´Ç²¹'s practice evokes symbols, sounds and gestures that have been lost to history, to politics and to memory. He often draws from literary and poetic sources to create a constellation of tragic, comedic and mystical traces.
Corazón del espantapájaros (Heart of the Scarecrow) is the third iteration of a serial project that explores the historical reverberations of Guatemalan playwright Hugo Carillo's 1962 script El corazón del espantapájaros (The Scarecrow's Heart) and its oblique interpretation by students at El teatro de la Universidad Popular de Guatemala in 1975. The students' highly stylized satirical portrayal of juridical archetypes provoked one of the most severe censorships of the arts during the Guatemalan Civil War (1960-1996).
For this iteration, ¸é²¹³¾Ã°ù±ð³ú-¹ó¾±²µ³Ü±ð°ù´Ç²¹ will focus on the central character and namesake of the play, and query, "Who is the Scarecrow and what is its heart?" Working with a contemporary interpretation of Carillo's script by Guatemalan poet Wingston González, ¸é²¹³¾Ã°ù±ð³ú-¹ó¾±²µ³Ü±ð°ù´Ç²¹'s solo performance will take up a breadth of symbolic and material interpretations of the scarecrow and the heart, as form and force. His exhibition will also consider the endurance of artistic production in tumultuous times, the political efficacy of education, and the long-term effects of censorship on bodies, geography and culture.
In tandem with ¸é²¹³¾Ã°ù±ð³ú-¹ó¾±²µ³Ü±ð°ù´Ç²¹'s consideration of the contemporary values of artistic production and education, ¶¡ÏãÔ°AV's School for the Contemporary Arts theatre students will perform their own interpretation of the play in the gallery, supported by Assistant Professor Cole Lewis. In 2018 theatre student MarÃa Escolán Nuila completed the first English translation of Carillo's script, supported by Lewis and Guatemalan writer and translator José GarcÃa Escobar.
¸é²¹³¾Ã°ù±ð³ú-¹ó¾±²µ³Ü±ð°ù´Ç²¹ has had recent solo exhibitions at New Museum, New York (2018); CAPC musée d'art contemporain de Bordeaux and DAAD Galerie, Berlin (2017); and group exhibitions at São Paulo Biennial, Venice Biennale and LACMA, Los Angeles (2017); Lyon Biennial and EFA Project Space, New York (2015). He has participated in performance series at the Solomon R. Guggenheim Museum (2017); KW Institute for Contemporary Art, Berlin (2016); and Tate Modern, London (2015). ¸é²¹³¾Ã°ù±ð³ú-¹ó¾±²µ³Ü±ð°ù´Ç²¹ is a recipient of the Mies van der Rohe Award (2017); and a DAAD fellowship (2015-16). He holds a BFA from Emily Carr University, Vancouver, and an MFA from the School of the Art Institute of Chicago. He lives and works in Guatemala City.
Presented with the and ¶¡ÏãÔ°AV's School for the Contemporary Arts. Supported by the Canada Council for the Arts.
Curated by Amy Kazymerchyk.
Events
Saturday, January 12, 3pm
Room 4East, Vancouver Art Gallery, 750 Hornby St.
In relation to Dana Claxton's solo exhibition at the Vancouver Art Gallery. Free for Vancouver Art Gallery members or with gallery admission.
Opening Reception
Wednesday, January 16, 6 - 9pm
Audain Gallery
Performance: Naufus ¸é²¹³¾Ã°ù±ð³ú-¹ó¾±²µ³Ü±ð°ù´Ç²¹
Wednesday, January 16, 7 - 8pm
Thursday, January 17, 7 - 8pm
Friday, January 18, 7 - 8pm
Saturday, January 19, 2 - 3pm
Audain Gallery
These events are free and open to the public. This event is comprised of one performance presented over four sessions. Visitors may enter and exit throughout each event.
Performance: SCA Theatre Students
Thursday, January 24, 7pm
Friday, January 25, 7pm
Audain Gallery
These events are free and open to the public. Featuring SCA students Sena Cagla, Arthi Chandra, Howard Dai, Logan Hallwas, Maria Escolan, Hilary Leung, Hannah Meyers, Avery Taylor, Montserrat Videla, and Ryer Wang.
Tour: Curator Amy Kazymerchyk and Translator MarÃa Escolán Nuila
Saturday, March 2, 2pm
Audain Gallery
The Scripts of History: Writing workshop with Merray Gerges
Saturday, March 9, 2 - 4pm
Audain Gallery
Space is limited. Please contact audaingallery@sfu.ca to register.
Support Material
Video
Performance: Naufus ¸é²¹³¾Ã°ù±ð³ú-¹ó¾±²µ³Ü±ð°ù´Ç²¹
Saturday, January 19, 2pm
Audain Gallery
Documentation by Han Pham
Performance: SCA Theatre students
Friday, January 25, 7pm
Audain Gallery
Documentation by Han Pham