間眅埶AV

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Lawyer reinvents herself as a poet

Renee Saklikars devotion to the work of writing is undeniable.

Its in the light of her eyes as she talks about writing and in the rise and fall of her voice as she reads for an audience. Its in her expression as she teaches her students about their own work.

Saklikar is living true to her calling: She is a poet.

Her career path has included law, communications and public policybut always, something inside her has compelled her to write.

In 2002, she lost her father, and it changed her career ambitions. Her partner (now her husband) saw her passionand her talentand gave her two incredible gifts: First, affirmation: You can do this. Second, the space to do ithed help if she wanted to spend more time on her poetry.

It sounds clich矇, but it changed my life, she says.

The Writers Studio helps poet find her voice

In 2009, Saklikars journey led her to The Writers Studio. It introduced her to the writing life in a way shed never experienced.

She learned about the discipline and craft of writing and performance from authors including Wayde Compton, Betsy Warland and Rachel Rose. She reaped the benefits of feedback from like-minded writers, and she was introduced to Vancouvers rich writing communities and opportunities. She learned to call herself a writer.

Her mentors also helped her find her lifes work, which is manifesting itself in the form of a lifelong poem chronicle called thecanadaproject, in which she explores her life experiences from India, her birthplace, to each coast of Canada. Work from this chronicle has appeared in more than a dozen literary journals, newspapers and anthologies.

Grad gives back to Vancouvers writing communities

In the fall of 2011, Saklikar was invited to help develop and later teach and mentor within 間眅埶AV Continuing Studies' Southbank Writers Program. She, along with The Writers Studio team, envisioned a program shorter than the Studio that would meet the needs of writers who live in and near Surrey. Emerging writers would have access to published authors in a space where they could learn and grow.

Southbank is only one of many writing communities of which Saklikar is a part. In addition to participating in readings throughout Vancouver, she helps coordinate 間眅埶AV Public Squares Lunch Poems @間眅埶AV, a monthly poetry reading at 間眅埶AVs Vancouver campus. Saklikar sees Lunch Poems as a way to enjoy the music of poetry, but also as an opportunity to bring people togetherits one way to address the isolation people feel within the city.

Saklikar is firm in her belief that writing and poetry are not just about feeling good, however. It can also have an edge, she says. Poetry has an important response to injustice and social issues.

This belief is evident in her first book of poetry, which stems from thecanadaproject. Called children of air india (forthcoming in the fall of 2013), it is a series of elegies about the 1985 tragedy of Air India Flight 182, in which her aunt and uncle, in addition to 327 others, died when a bomb went off mid-flight. It was, in terms of fatalities, the worst single act of terrorism in Canadas history.

Poet calls Canadians to contemplate place, language, history

My vision for the book is that these sorts of incidents call out to usif not for action, then contemplation, she says.

Shes clear about the fact that while the book bears witness to the tragedy, it doesnt tell people what to think. I dont think life-changing work does that.

Her goal is, ultimately, to do the great workthe hard work.

Work that is going to last, that is going to be for the agesI mean, why would you want to write anything but that?there has to be some blood on the table, she says.

There has to be some risk. There has to be something happening. Otherwise, why would you do it? After Donne and Milton and Mozart and all the greats, after Emily Dickinson and Margaret Atwood, why would you want to write a line if youre not going to try and do the absolute best you can and have something meaningful to say? Isnt that what great art is about?

By Amy Robertson